Debates on the appropriate role of women in public life peaked in the 1920s, and were represented through various mediums. Through this film, Lang attempts to shed light on the discomfort brought upon by the evolution of traditional gender roles, ultimately shaming Weimar society for their black and conceptions of femininity and sexuality. This paper will therefore explore the significance of archetypes of femininity, the relationship between femininity and technology, and lastly the relationship between politics, sexuality and femininity in Metropolis to prove that the interwar period was characterized by men’s attempt to restore gender relations to their pre-war state as a result of their own masculine
Debates on the appropriate role of women in public life peaked in the 1920s, and were represented through various mediums. Through this film, Lang attempts to shed light on the discomfort brought upon by the evolution of traditional gender roles, ultimately shaming Weimar society for their black and conceptions of femininity and sexuality. This paper will therefore explore the significance of archetypes of femininity, the relationship between femininity and technology, and lastly the relationship between politics, sexuality and femininity in Metropolis to prove that the interwar period was characterized by men’s attempt to restore gender relations to their pre-war state as a result of their own masculine