All through the entire novel Fitzgerald for the most part romanticizes Gatsby and his life however in this section it appears as though he segregates himself from Jay and depicts his life in an exceptionally quiet, impartial way. One respects Gatsby, if for no other explanation than his capacity to support a fantasy in a world that is verifiably unwelcoming to visionaries. His passing has, as it were, expelled him from his mortal presence and permitted him resurrection into an alternate, ideally better, life. As Nick says, Gatsby "more likely than not felt that he had lost the old warm world" when his fantasy kicked the bucket, and discovered no motivation to go on. In that sense, Wilson's killing him is an appreciated end.
Fitzgerald utilizes a progression of long, easily streaming sentences to add to the general topic of lightness and weightlessness of the water. Gatsby's demise on account of George Wilson makes his journey complete. The grammatical picture of the unprejudiced water denote that his fantasy is totally dead and by lying in the pool, Gatsby is doing nothing to secure himself, as though he is stating that he won't decline whatever is in front of him. Gatsby remains the visionary up until the last snippet of his