When one thinks of white, one imagines innocence. This idea of color symbolism was not lost on F. Scott Fitzgerald as he wrote The Great Gatsby. In the beginning of the novel, when we are introduced to Daisy, we meet her false innocence manifested in the color white. "The only completely stationary object in the room was an enormous couch on which two young women were buoyed up as though upon an anchored balloon. They were both in white, and their dresses were rippling and fluttering as if they had just blown back in after a short flight around the house." (Fitzgerald 8). At this point in the novel, Daisy 's innocence seems to be true, but it is revealed later that it is a false image, especially when she is described as the "golden
When one thinks of white, one imagines innocence. This idea of color symbolism was not lost on F. Scott Fitzgerald as he wrote The Great Gatsby. In the beginning of the novel, when we are introduced to Daisy, we meet her false innocence manifested in the color white. "The only completely stationary object in the room was an enormous couch on which two young women were buoyed up as though upon an anchored balloon. They were both in white, and their dresses were rippling and fluttering as if they had just blown back in after a short flight around the house." (Fitzgerald 8). At this point in the novel, Daisy 's innocence seems to be true, but it is revealed later that it is a false image, especially when she is described as the "golden