He uses her body to satisfy his needs to reach ecstasy on the bed: “Unlace yourself, for that harmonious chime / Tells me from you that now it is bed-time” (qtd. in Halsey 20). Consequently, the poem propagates a sexually-driven male motive in relation to the female figure; he reduces her to an object of desire. In contrast, Sexton’s poem violates such degradation by evacuating the bed from its sexual connotations, and by empowering the female figure to stand against this debasing stereotype. Her femininity is not defined by the mechanical intercourse. She yields to the lure that she is a mere beautiful object. In her quest for self-recognition, the speaker’s tone is firm. It is due time for a real transformation to free her body through reversing the stereotypical gender roles. In fact, the speaker ascertains that
He uses her body to satisfy his needs to reach ecstasy on the bed: “Unlace yourself, for that harmonious chime / Tells me from you that now it is bed-time” (qtd. in Halsey 20). Consequently, the poem propagates a sexually-driven male motive in relation to the female figure; he reduces her to an object of desire. In contrast, Sexton’s poem violates such degradation by evacuating the bed from its sexual connotations, and by empowering the female figure to stand against this debasing stereotype. Her femininity is not defined by the mechanical intercourse. She yields to the lure that she is a mere beautiful object. In her quest for self-recognition, the speaker’s tone is firm. It is due time for a real transformation to free her body through reversing the stereotypical gender roles. In fact, the speaker ascertains that