This line said in Juliet's monologue could be interpreted as "Oh, Romeo, Romeo, where is Romeo?" by directly summarizing, but in context in the play, which becomes apparent with analyzing and synthesizing, it's translated to "Oh, Romeo, Romeo, why do you have to be Romeo?" This also evidently proves how the Shakespeare sharpens many skills used by high schoolers on a daily basis, based on how most lines will require them to use and practice these skills when reading the…
In Marquis essay he argues that abortion is not right because killing the fetus is like killing an adult. Throughout the essay he questions that if it is right to kill a fetus it is right to kill living human. He then gives us the example of why it is wrong to kill a human. Marquis says that if you kill a human who has been alive that you are taking away their future and something valuable from them. You are ruining future possibilities of that person and he then ties that with the reason of why it is wrong to kill a fetus.…
Harold Bloom introduced Robert Browning’s “My Last Duchess” first appeared in the “Dramatic Lyrics in 1842”(13), inspired by the history of a Renaissance Duke, Alfonso II, a widower of a young wife died in suspicious circumstances. The history of this situation followed with Duke Alfonso courted another young lady, whom he eventually married. “My Last Duchess” is a monologue style of poem that happened during the time of the Duke negotiation for courtship of a new wife. Although there were no characters’ name mentioned in the work, one can figured the implication from the Duke’s actions and expressions. Browning’s inspiration of the Duke created an indirect look into the Duke’s complex mind and ravings which ended in the Duchess tragic death.…
Racism Script Characters Script 1 Bianca: Angela Bethany: Jessica Carl: A witness who tries to do something you unusual Jerry: Dad Bianca:* gives out invitations* Bethany: Hey, where’s my invitation? Bianca: Uhhhhhhhhhhh...... Bethany: Is there something wrong?…
“I want a baton.” “Then we’ll get ya one.” I remember that early conversation clearly. I had just turned twelve and rich with birthday money…
"I don't know Fal's, he's had a screw loose ever since he became a vamp. My best guess is that some people handle immortality better than others and he was damn wrecked when he heard you were dead. " I was trying to make it not seem so bad what he'd done but it freaked me out and I'd seen a lot of screwed up shit so yeah, it fucking bad.…
The composers Stephen Spender, Robert Browning and Margaret Atwood of the texts My Parents Kept Me from Children Who Were Rough, ¬¬¬My Last Duchess and The Handmaid’s Tale, all represent a sense of power in their corresponding texts through the use of a variety of language techniques embedded in their writing. The poems My Parents Kept Me from Children Who Were Rough, and My Last Duchess both explore the notion of personal power, while the poem My Parents Kept Me from Children Who Were Rough in parallel with The Handmaid’s Tale look at authoritative power. The poem ¬¬¬My Last Duchess alongside The Handmaid’s Tale represents a sense of patriarchal power, serving to further illuminate the fact that all three composers, although with differing…
Poems happen to be words that mean more than they look. May they express a message, describe someone’s point of view of his/her life or anything, poems are able to do so much with so little. Such is how famous poet of the 19th century Robert Browning managed to do with his writings. Through his writings of My Last Duchess and Porphyria’s Lover, we will look upon the way that he believes men would become alongside women. Replaced for stronger than interesting To start it off, let’s discuss about how Browning’s men view their woman as an object.…
As it look that the King may never recover, the monarch rebel by refusing to take his medicine and throwing away anything he could get his hands on. During nights, “he was almost unmanageable, and pages had to sit on him while he was tied to his bed. By day, he swore, uttering strange indecencies and ‘oaths which had never yet been heard from the lips’, begging his attendants to put an end to his miserable life. Moods of deep depression alternated with spasms of childish mischievousness in which he would get his pages to wheel him about the room or he would lie on his bed to ‘defend himself by gathering up his feet, and then darting them forward with violence against those who pressed against him’.”…
I will get to the answer later on, but he agrees. She gives him the answer, and he goes back to the queen. He presents his answer and all women in the court are silent because they know it is true. Now the old woman comes forward, admits she told him the answer in return for a request he must fulfill, and she says the request is marriage. This is a powerful scene.…
In Romeo's monologue he uses a substantial amount of figurative language, he first starts off with a very romantic metaphor. He compares his star-crossed-lover, Juliet, to the sun, she is (supposedly) all he needs in his life. In the following line he slyly uses personification and claims the moon is full of envy. Because Juliet is so bright and beautiful, she puts the moon to shame because it is ailing and pale. Romeo concludes his shower of compliments by using a hyperbole, Juliet's rosy cheeks are capable of outshining the stars out in space (like how the sun outshines a lamp).…
Chopin’s portrayal dissects human emotion, and more specifically Mrs. Mallard’s initial struggle with her husband’s death, and emotion that follows afterwards. Delving into the complexity of human psyche, Chopin constructs a world out of subtle imagery and raw emotion. By examining the story’s imagery and Mrs. Mallard’s personal reaction to the news of her husband’s death, we argue that Chopin uses an indirect characterisation of Mrs. Mallard to explain her feelings towards her husband’s death. Mrs. Mallard’s range of feelings after her husband’s death exemplifies the complexity and depth of human emotion. Initially succumbed to shock, a flurry of emotion is expected, especially when it relates to a death.…
The two poems I am going to discuss are Robert Browning‘s ‘My Last Duchess’ , and Edgar Allen Poe‘s ‘The Raven’ . I will discuss the way the forms of the poems and how their different structures, one being written in verse and the other in dramatic monologue, effect the reader’s interpretation, lead to an unreliable narrator. I will discuss the use of rhyme and rhythm, and also how the speaker’s psyche and strong emotions, like anger and jealousy in ‘My Last Duchess’ and madness in ‘The Raven’ alter the speaker’s reliability. ‘My Last Duchess’ is written in the form of a dramatic monologue, and uses iambic pentameter to mimic natural speech, as well as using rhyming couplets, which give the poem a faster pace and gives the character a stronger voice.…
Robert Browning’s poetry shows the power imbalances in male and female relationships and often takes the form of dramatic monologue to show the differences between men’s motivations and women’s. In Browning’s ‘My Last Duchess’, an authoritative and rich Duke is made to feel powerless as a result of his wife’s misplaced affections. The favourable qualities of his wife, such as her kindness and gratitude, are interpreted by the duke as offences, “as if she ranked my gift of a nine-hundred-years-old name with anybody’s gift”, implying possessiveness and unruly emotions such as jealousy can cloud judgement. This is interesting as generally a man would be thought of as being more rational, and a woman as being ruled by her emotions.…
There are three elements which thematically link Robert Browning’s My Last Duchess and Prospice: love, marriage and death. Both poems follow the aftermath of a marriage brought to an end by the death of the wife. In order to comprehend the psyches of the husbands and the manners in which they cope with their partners deaths, a close analysis of their dramatic monologues is required, for it may reveal discrepancies between their words and thoughts. My Last Duchess follows a duke, implied to be the duke of Ferrara by the fact that the Italian city is named at the beginning of the poem, showing a painting of his previous wife to an emissary sent by a count in order to negotiate the duke’s upcoming marriage with her daughter.…