234 Tonge). In terms of The Tempest, Frank Kermode states that Prospero’s magic is “rough” because it is “unsubtle by comparison with the next degree of the mage’s enlightenment” (Kermode 396). Cosmo Corfield evaluates this viewpoint in his article Why Does Prospero Abjure His “Rough Magic”? Stating that Kermodes ‘ “Rough” magic implies neither a set back nor moral dubiousness: Prospero simply sheds his magic as a snake sheds its outworn skin, and proceeds to higher things’ (p.33 Corfield). In both texts the power of magic is used to manipulate events proceeding in the natural world. I submit that the basis of magic in Macbeth is symbolized by the cauldron of the Three Weird Sisters, and is suggestive of the manipulation that destroys Macbeth’s morality; contrastingly, magic in The Tempest initiates from Prospero’s mind, and is channelled through his cloak and staff, which are used for manipulation toward eventual virtuous
234 Tonge). In terms of The Tempest, Frank Kermode states that Prospero’s magic is “rough” because it is “unsubtle by comparison with the next degree of the mage’s enlightenment” (Kermode 396). Cosmo Corfield evaluates this viewpoint in his article Why Does Prospero Abjure His “Rough Magic”? Stating that Kermodes ‘ “Rough” magic implies neither a set back nor moral dubiousness: Prospero simply sheds his magic as a snake sheds its outworn skin, and proceeds to higher things’ (p.33 Corfield). In both texts the power of magic is used to manipulate events proceeding in the natural world. I submit that the basis of magic in Macbeth is symbolized by the cauldron of the Three Weird Sisters, and is suggestive of the manipulation that destroys Macbeth’s morality; contrastingly, magic in The Tempest initiates from Prospero’s mind, and is channelled through his cloak and staff, which are used for manipulation toward eventual virtuous