The Dead Literary Analysis

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In James Joyce’s “The Dead” he utilizes symbolism, motifs, and themes to examine if man is selfish about morality while exhibiting that death coexists with life. The condition of a man is meaningful in the journey he takes to find the purpose of his own being but also to acknowledge that spirit and body can be unlinked. The story amplifies a dialogue between Gabriel Conroy's awareness and what he genuinely is blind to, such as his profound connections with himself and others around him, but his wife in particular; he is pretty aloof to emotion but still appeared to be a bold man of good class who was admired by his relatives, in the beginning, then as the narrative advances he is flooded with so many sentiments and an ominous vibe forms due …show more content…
He frets about appearing too bright in his speech, not agreeing with conservative political views, making an improper impression on people, and causing awkwardness. Being worrisome is clearly embedded in his nature. However, for what is valuable in his eyes is his reputation, his family, and his life in general, although some become more precious than others as the story progresses. Gabriel recognizes that he truly must take the sweets in life because he has consistently been bitter, "As Gabriel never ate sweets the celery had been left for him" (Joyce 639). Someone whom he had thought to be the most pleasant of all in his life had been his wife, Gretta, and as the story advances, their relationship transforms. Also, Gabriel's mood gradually moves from pure bliss to agonizing humiliation. Near the beginning, Gretta is one of the most prominent aspects of him. Throughout the party and many unpleasant encounters, Gabriel's relationship with his wife slowly diminishes in terms of honesty. As this deformity of love transpires, he sees within himself that he is not the essence of his own being, much less his …show more content…
This hurls him into an unquestionably confusing time as "He watched her...as though she had never lived together as man and wife (Joyce 652). Although the circumstances of his wife breaking down over an ex-lover are grave, all Gabriel was greedily speculating about why this was happening to him specifically. "The Dead" in terms of human condition, had a David Foster aspect to it such as "The normal human brain is designed by evolution to generate the egocentric illusion: the illusion that the owner of a particular brain is the center of the universe", ("The Egocentric Illusion, Miles Kimball, 2012). As the story is in the falling action, Gabriel's observation of himself and his own life dramatically changes. Gabriel imagined Michael Furey's death in the cold, and I believe that jolted him into feeling what Gretta's past lover was feeling in his final moments, such as "His own identity fading out into a grey impalpable world..." (Joyce 653). The awareness of death and how life is passing surely altered his character and in a form, Michael Furey's body was long ago buried, however, his spirit affected the

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