The reason behind this being that most of the time, motivation for producing popular culture is money (Grazian, 2010). It is usually not for the sake of creativity and free expression, and not for pleasure or fun but instead focused on profits (Grazian, 2010). This leads back to hegemony as each works to reinforce the cultural industries sense of power (Grazian, 2010). The works of Artprize are then subject to being viewed this way for various reasons. While there may be initial drive to enter to express their creativity, a leading factor is the chance at winning prizes. It could be seen that artists enter in the hopes of either gaining profit or recognition instead of entering just pure
The reason behind this being that most of the time, motivation for producing popular culture is money (Grazian, 2010). It is usually not for the sake of creativity and free expression, and not for pleasure or fun but instead focused on profits (Grazian, 2010). This leads back to hegemony as each works to reinforce the cultural industries sense of power (Grazian, 2010). The works of Artprize are then subject to being viewed this way for various reasons. While there may be initial drive to enter to express their creativity, a leading factor is the chance at winning prizes. It could be seen that artists enter in the hopes of either gaining profit or recognition instead of entering just pure