I enjoyed the detailed toy like landscape. There appears to be a man fishing with a long spear, a woman fetching water, two horses, and two workmen crossing a bridge. It is said that if you look closely at the farthest bridge in the background there are also two African Americans fishing. Like many other wealthy Florentines, Filippo Strozzi owned at least one African slave (“Madonna and Child”). Filippino Lippi also uses the technique of atmospheric perspective, a technique of rendering depth or distance in painting by modifying the tone or hue. There appears to be mountains in the distance as well as a building. I loved the artist 's use of the the beautiful curved arches which stand behind the subjects. The Strozzi coat of arms with the crescent moon appears both on the roundel on the arch and on the capital of the column on the left. As I analyzed the painting I felt a sense of nurturing and gentleness between Mary and Infant Jesus. The artist 's use of contrapposto creates a human like appearance and figure. It appears that Mary is supporting baby jesus in order to sit him up. One of her hands is placed under infant jesus armpit and the other on his lower right leg. It appears that baby Jesus is intrigued and eager to flip through the pages of the book placed in front of him. The theme of the Christ Child fingering or reading from a book was extremely popular in Florence, one of the most famous examples being Botticelli 's Madonna della Magnificat (“Madonna and Child”). The emotion of both Mary and Jesus appear content. I found the detail in both of the subjects hair as well as the halos fascinating. He gives a beautiful light blonde tint to infant Jesus’s curly locks, as well as Mary 's orange toned hair. Filippino Lippi portrays the halos as somewhat translucent but gives them a shade of gold
I enjoyed the detailed toy like landscape. There appears to be a man fishing with a long spear, a woman fetching water, two horses, and two workmen crossing a bridge. It is said that if you look closely at the farthest bridge in the background there are also two African Americans fishing. Like many other wealthy Florentines, Filippo Strozzi owned at least one African slave (“Madonna and Child”). Filippino Lippi also uses the technique of atmospheric perspective, a technique of rendering depth or distance in painting by modifying the tone or hue. There appears to be mountains in the distance as well as a building. I loved the artist 's use of the the beautiful curved arches which stand behind the subjects. The Strozzi coat of arms with the crescent moon appears both on the roundel on the arch and on the capital of the column on the left. As I analyzed the painting I felt a sense of nurturing and gentleness between Mary and Infant Jesus. The artist 's use of contrapposto creates a human like appearance and figure. It appears that Mary is supporting baby jesus in order to sit him up. One of her hands is placed under infant jesus armpit and the other on his lower right leg. It appears that baby Jesus is intrigued and eager to flip through the pages of the book placed in front of him. The theme of the Christ Child fingering or reading from a book was extremely popular in Florence, one of the most famous examples being Botticelli 's Madonna della Magnificat (“Madonna and Child”). The emotion of both Mary and Jesus appear content. I found the detail in both of the subjects hair as well as the halos fascinating. He gives a beautiful light blonde tint to infant Jesus’s curly locks, as well as Mary 's orange toned hair. Filippino Lippi portrays the halos as somewhat translucent but gives them a shade of gold