One of the main distinctions the Piano Concerto No.1 begins from the very first Bar. Traditionally in Classical concertos and more prominently in Chopin’s Piano Concerto’s the orchestra introduces the main theme. The piano for the most part comes in later in the first movement. During the Romantic era (Tchaikovsky’s time period), breakthroughs in the production of the Piano allowed it to sound much louder without compromising in tone and pitch. As the piano became known as a powerful instrument both physically and culturally, Tchaikovsky used it to his advantage and introduced the piano early onto the piece specifically Bar 6 signaling the composer to use the pedal and play at a volume of fortissimo. (Miralman; 2003)The beginning of the piece asserts the Piano’s dominance throughout the first movement highlighting the strength of both the performer and the range of the piano. With 3 D-flat major chords in each bar, the piano accompanies the orchestra in a grandiose
One of the main distinctions the Piano Concerto No.1 begins from the very first Bar. Traditionally in Classical concertos and more prominently in Chopin’s Piano Concerto’s the orchestra introduces the main theme. The piano for the most part comes in later in the first movement. During the Romantic era (Tchaikovsky’s time period), breakthroughs in the production of the Piano allowed it to sound much louder without compromising in tone and pitch. As the piano became known as a powerful instrument both physically and culturally, Tchaikovsky used it to his advantage and introduced the piano early onto the piece specifically Bar 6 signaling the composer to use the pedal and play at a volume of fortissimo. (Miralman; 2003)The beginning of the piece asserts the Piano’s dominance throughout the first movement highlighting the strength of both the performer and the range of the piano. With 3 D-flat major chords in each bar, the piano accompanies the orchestra in a grandiose