Taxi Driver Thesis

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Taxi Driver is a 1976 movie directed by Martin Scorsese, produced by Julia and Michael Phillips, music by Bernard Hermann. With a great plot and engage music Travis Bickle the main character of story, a , is a lonely and a depressed 26-year-old living in New York City. He is a taxi driver with his chronic insomnia, driving passengers every night around the city. Travis feel in love with Betsy, a campaign volunteer for Senator and presidential candidate Charles Palantine. Travis succeeds in making progress in his mission to talk about clean up the streets by killing Sport and his cohorts, and by getting Iris out of prostitution and back to her house. While Travis was a lonely guy, with psychopathic tendencies, very emotional and silent in …show more content…
For example,first part take place on a new life of romance Travis had with Betsy in the first time when he saw her and while Bernard Herrmann play the music "Hold Me Close" lyric that is perfect for that lovely shot. The vocal sound dialogue and the peach voice has the same design from both of them and it is easy to identify the words they saying and sounds that we hear from outside. Environment sounds corporated with deep soothing voice speaking from Travis in front of Batsy. He said " she has the most beautiful eyes "in front of her and we discover the human felling Travis has. Second parts come as an example of suspense, tension and conflict, violent self-hatred when Travis was watching people dancing on TV and he was holding gun. He had his gun barrel propped against his head while he listens to the words of a Jackson Browne song" Late For the Sky". He was holding gun with a high degree of control and the movement is slow calculated. In this tension and conflict inside his body the director and the sound maker bring the sound that was make by the glass of water with the pil in that which were non-diegetic sound and help audience to know Travis passion and dramatically motivated. The last part,we see the Travis action as an example on psychological disassociation that is gradual, and the relationship with violence become more familiar as the film travels along. A reverse

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