Salon’s Eric Deggans describes Django as a “Superhero” in his article, “Tarantino is the baddest black filmmaker working today”. “Django is able to talk himself out of most situations, as he does with the LeQuint Dickey Mining Company employees” Deggans states in his article showing how persuasive and how a fast talking trickster Django in which is impressive considering Django is an African-American slave in the 19th century. Deggans sums up how black characters in Tarantino films are portrayed; “Tarantino’s black characters may be flawed, but they are also powerful, smart, human and effective without the approval or enabling of white characters, a rarity for big Hollywood
Salon’s Eric Deggans describes Django as a “Superhero” in his article, “Tarantino is the baddest black filmmaker working today”. “Django is able to talk himself out of most situations, as he does with the LeQuint Dickey Mining Company employees” Deggans states in his article showing how persuasive and how a fast talking trickster Django in which is impressive considering Django is an African-American slave in the 19th century. Deggans sums up how black characters in Tarantino films are portrayed; “Tarantino’s black characters may be flawed, but they are also powerful, smart, human and effective without the approval or enabling of white characters, a rarity for big Hollywood