The narrative is structured in TWO TIME-FRAMES. The first is a dramatization of
1990-2016; the majority of the series exists as the dramatization of three central possessions which relate to the hunt for the killer, as well as the complications of Issac’s personal life over those years. The second time-frame is 2016; punctuating, intercutting, and sometimes undermining the central dramatization are scenes of Issac in
2016, giving testimony in a police interrogation room. Through these interrogations, Issac is an occasional narrator, sometimes commenting on the action we watch, sometimes contradicting it with his statements. The entwining of these separate elements offers special storytelling opportunities through its juxtapositions, and allows
1990-2016; the majority of the series exists as the dramatization of three central possessions which relate to the hunt for the killer, as well as the complications of Issac’s personal life over those years. The second time-frame is 2016; punctuating, intercutting, and sometimes undermining the central dramatization are scenes of Issac in
2016, giving testimony in a police interrogation room. Through these interrogations, Issac is an occasional narrator, sometimes commenting on the action we watch, sometimes contradicting it with his statements. The entwining of these separate elements offers special storytelling opportunities through its juxtapositions, and allows