This way of phrasing practically leads the reader to how Krebs questions how much he knew and whether he served appropriately or not. The question isn’t really brought up in any other place, and Hemingway insures that the reader notices this minor shift in tone. Tone, while constantly shifting, always centers on Krebs’s understanding of the war and how he was mentally feeling afterwards. The short and concise syntax is the final element to truly understanding this aspect of Hemingway's writing in A Soldier’s Home. Peppered throughout his writing are sentences that start with ‘He does’ or ‘He thought’, by using this simple subject verb syntax, Hemingway gives the reader clear hints to his honest and critical way of viewing the piece. The simplicity of it resembles how a child would speak, or how a children’s book is phrased, which gives the passage a feeling of innocence that makes the reader empathize with Krebs. Once a reader is hooked in such a way, Hemingway work for the questions he’s really
This way of phrasing practically leads the reader to how Krebs questions how much he knew and whether he served appropriately or not. The question isn’t really brought up in any other place, and Hemingway insures that the reader notices this minor shift in tone. Tone, while constantly shifting, always centers on Krebs’s understanding of the war and how he was mentally feeling afterwards. The short and concise syntax is the final element to truly understanding this aspect of Hemingway's writing in A Soldier’s Home. Peppered throughout his writing are sentences that start with ‘He does’ or ‘He thought’, by using this simple subject verb syntax, Hemingway gives the reader clear hints to his honest and critical way of viewing the piece. The simplicity of it resembles how a child would speak, or how a children’s book is phrased, which gives the passage a feeling of innocence that makes the reader empathize with Krebs. Once a reader is hooked in such a way, Hemingway work for the questions he’s really