The prevalence of symbolism throughout the poem helps Bishop communicate the idea of how a child’s sudden introduction to the confusing and unfamiliar can be a terrifying experience. While her aunt was being worked on at the dentist office, Elizabeth sat in the waiting room and, “...[while I] waited I read/ the National Geographic /(I could read) and carefully /studied the photographs...a dead man slung on a pole...babies with pointed heads...” For a large portion of the poem the National Geographic magazine plays a momentous role in Elizabeth’s sudden identity crisis. She’s merely six years old and she lives in a small town in Massachusetts, sheltering her from the outside world. However, this magazine serves as a lens to the new and unknown with “babies with pointed heads” and dead men on poles. These images fascinate and terrify her to the point of questioning her entire existence and how she fits into this exotic, mysterious, and complicated world. While reading through the poem, one will notice the recurring use of dark imagery such as, “...the inside of a volcano/black, and full of ashes...” or “I was saying it to stop/ the sensation of falling
The prevalence of symbolism throughout the poem helps Bishop communicate the idea of how a child’s sudden introduction to the confusing and unfamiliar can be a terrifying experience. While her aunt was being worked on at the dentist office, Elizabeth sat in the waiting room and, “...[while I] waited I read/ the National Geographic /(I could read) and carefully /studied the photographs...a dead man slung on a pole...babies with pointed heads...” For a large portion of the poem the National Geographic magazine plays a momentous role in Elizabeth’s sudden identity crisis. She’s merely six years old and she lives in a small town in Massachusetts, sheltering her from the outside world. However, this magazine serves as a lens to the new and unknown with “babies with pointed heads” and dead men on poles. These images fascinate and terrify her to the point of questioning her entire existence and how she fits into this exotic, mysterious, and complicated world. While reading through the poem, one will notice the recurring use of dark imagery such as, “...the inside of a volcano/black, and full of ashes...” or “I was saying it to stop/ the sensation of falling