In act two, the dinner scene is set in a restaurant, also designed by production designer Hughes, establishes the theme of love through color, props, and design. In the restaurant there are white painted walls along with white and light brown curtains, lights, candles, and real trees. Kate Smith, a color expect states that “The color white projects purity, cleanliness, and […] a white picket fence surrounds a safe and happy home” (Smith 1). In addition, the color white can also symbolize elegance, which ties to the romance element the production designer was going for. On the other hand, light brown according to Smith symbolizes “[…] stability, reliability, and approachability” (Smith 1). In the western cultures the color white and brown are
