The scene is set to be cold and drafty in the farmhouse and the stove is to provide heat, however in Essey-Stapleson’s film the house seems to be warm because Mrs. Hale and Mrs. Peters are not wearing their scarves or coats. The audience must follow close attention to the lack of detail that the film provides, skipping over the beginning of the description of what Harry walked into the day before and his conversation with Mrs. Wright. Essey-Stapleson does not have Harry describe the state Mrs. Wright was in when he arrived at the farmhouse, pleating at her apron or staring out into space. Mrs. Peters has a dry appearance and is more adamant about how guilty she believes Mrs. Wright is on the murder of Mr. Wright. Even when she starts to believe that the real criminal was Mr. Wright, the transformation over to Mrs. Hale’s points of view are not as clear. The film seems to only focus on key elements that lead to the motive, similar to the play by Greening. Despite the disappointment, Essey-Stapleson was the only director that showed interaction between Mr. and Mrs. Wright so that the audience will feel sympathy for Mrs. Wright and portray her as the true
The scene is set to be cold and drafty in the farmhouse and the stove is to provide heat, however in Essey-Stapleson’s film the house seems to be warm because Mrs. Hale and Mrs. Peters are not wearing their scarves or coats. The audience must follow close attention to the lack of detail that the film provides, skipping over the beginning of the description of what Harry walked into the day before and his conversation with Mrs. Wright. Essey-Stapleson does not have Harry describe the state Mrs. Wright was in when he arrived at the farmhouse, pleating at her apron or staring out into space. Mrs. Peters has a dry appearance and is more adamant about how guilty she believes Mrs. Wright is on the murder of Mr. Wright. Even when she starts to believe that the real criminal was Mr. Wright, the transformation over to Mrs. Hale’s points of view are not as clear. The film seems to only focus on key elements that lead to the motive, similar to the play by Greening. Despite the disappointment, Essey-Stapleson was the only director that showed interaction between Mr. and Mrs. Wright so that the audience will feel sympathy for Mrs. Wright and portray her as the true