The cadets surround themselves with a campus which “feels more like an architect’s rendering of a campus- almost preternaturally clean, orderly, antiseptic - than the messy real thing”(Faludi 73) and is full of disabled canons that are stuffed with cement. This alone suggests a gesture of superficial, deceptive and unreal nature. At the same time, the cadets are regularly exposed to the context consisting of the hazing of the knobs on a daily basis, the excessive sadist act on the raccoon, the name-calling that adheres women’s figure to something awful and bad, and also the songs featuring the act of violence on women. Adding to that, Gladwell’s “stickiness factor” can be found in the fourth-system, where the thing that sticks to the cadet is the motto of “acting like a man”. All of these are the tipping factors that lead to how the cadets act. They have been continuously, for decades, passing on the contagious tradition of unreasonable violent treatments on the freshmen. They treat women like objects, express a special hatred and beat them when they feel the women are slipping out of their expectation. But after all of those “virile” acts, the “real men” image is just a mask for their feminine, and sometimes homosexual way of living inside the Citadel. This proves that the inner state and the psychological characteristic of a person is not totally in control of what he or she will present to the world. Susan Faludi also directly states her belief in the fluctuating nature of character. She introduces the opinion of the Citadel’s president that the lazy, dependent character of the Southern boys can be changed by “those habits of order and system” (Faludi 79). Her point of view somewhat agrees that characteristic is not something adherent to a person, but in fact pretty common among people and easily challenged by outer
The cadets surround themselves with a campus which “feels more like an architect’s rendering of a campus- almost preternaturally clean, orderly, antiseptic - than the messy real thing”(Faludi 73) and is full of disabled canons that are stuffed with cement. This alone suggests a gesture of superficial, deceptive and unreal nature. At the same time, the cadets are regularly exposed to the context consisting of the hazing of the knobs on a daily basis, the excessive sadist act on the raccoon, the name-calling that adheres women’s figure to something awful and bad, and also the songs featuring the act of violence on women. Adding to that, Gladwell’s “stickiness factor” can be found in the fourth-system, where the thing that sticks to the cadet is the motto of “acting like a man”. All of these are the tipping factors that lead to how the cadets act. They have been continuously, for decades, passing on the contagious tradition of unreasonable violent treatments on the freshmen. They treat women like objects, express a special hatred and beat them when they feel the women are slipping out of their expectation. But after all of those “virile” acts, the “real men” image is just a mask for their feminine, and sometimes homosexual way of living inside the Citadel. This proves that the inner state and the psychological characteristic of a person is not totally in control of what he or she will present to the world. Susan Faludi also directly states her belief in the fluctuating nature of character. She introduces the opinion of the Citadel’s president that the lazy, dependent character of the Southern boys can be changed by “those habits of order and system” (Faludi 79). Her point of view somewhat agrees that characteristic is not something adherent to a person, but in fact pretty common among people and easily challenged by outer