This painting was release in the year 1928-1929 and is an Oil painting. Subject matter is the literal, visible image in a work of art, as distinguished from its content, which include the connotative, symbolic, and suggestive aspects of the image. This painting is of a pipe, or what we believe to be a pipe and with a saying, “Ceci n’est pas une pipe” meaning “This is not a pipe.” This was around the Expressionism era when they started using a more brighter color scheme. There is not that heavy of bright colors but the earth tine colors used aren’t dull one bit. The images show a three-way paradox for the simple fact how we think it is one thing, the words say it is not and it just saying it is not as its own. He made this image a complicated relationship between the verbal and visual. The image challenges a natural theory of the image and the idea that an image stands in relations to an object is represented or a stable sematic or spatial relationship with a verbal sign. This is a picture of a large pipe against a beige background above a written scripted. There isn’t anything making the pipe interested or grasping the human eye but more on what exactly the words at the bottom of the painting means. This picture shows a bit of representational and a bit abstract in a
This painting was release in the year 1928-1929 and is an Oil painting. Subject matter is the literal, visible image in a work of art, as distinguished from its content, which include the connotative, symbolic, and suggestive aspects of the image. This painting is of a pipe, or what we believe to be a pipe and with a saying, “Ceci n’est pas une pipe” meaning “This is not a pipe.” This was around the Expressionism era when they started using a more brighter color scheme. There is not that heavy of bright colors but the earth tine colors used aren’t dull one bit. The images show a three-way paradox for the simple fact how we think it is one thing, the words say it is not and it just saying it is not as its own. He made this image a complicated relationship between the verbal and visual. The image challenges a natural theory of the image and the idea that an image stands in relations to an object is represented or a stable sematic or spatial relationship with a verbal sign. This is a picture of a large pipe against a beige background above a written scripted. There isn’t anything making the pipe interested or grasping the human eye but more on what exactly the words at the bottom of the painting means. This picture shows a bit of representational and a bit abstract in a