This paper will explore depictions of marriage in Thomas King’s novel Green Grass, Running Water and how rejections of hierarchal male-female relationships, specifically by female characters, parallel and aide rejections of cultural oppression of First Nations, establishing a new basis for equality. King’s female characters remove themselves from positions of subservience, maintaining the autonomy and equality also hoped for but oft denied in First Nation’s relations with colonizing forces. Particularly, Alberta and Latisha each experience relationships easily interpreted as representations of colonialist domination and reject traditional gendered expectations to meet their individual goals, drawing parallels to King’s revision of the accepted narrative of colonial oppression. The behaviour of King’s female characters when faced with such roles demonstrate the intimate relationship between deconstructions of sexism and colonialism, and the desire for a future in which colonialist cultural supremacy has been replaced with community and respect for identity.…