When analysing Hitchcock’s Psycho, it is clear why it has been labelled as a horror. Although Norman Bates is not a monster in the physical form, his monster-like nature is within his human psyche. There are many reasons for this film to be regarded as a “horror”, the imagery of the old dark house is typical of “horror”, being set in an isolated place, off the beaten track presents a clearly gothic setting where as little as the appearance of a single woman unleashes forces of sexual assault, murder and incest. The feeling of being alone and isolated during a horrific situation creates tension as well as suspense within its audience, in Psycho the isolated setting brings a sense of fear mainly through the idea of the unknown. Isolated settings…
Hitchcock’s film generates the suspense and curiosity in Psycho. He demonstrates in various and specific ways that we would not expect to happen. It has happened to be one of the biggest hits ever in the 60’s. He has been one of the first people to introduce many things in the film industry, especially the toilet scene. In a way Hitchcock makes us want more and it gets us to anticipate and to expect for more things to happen.…
Hungry for Horror: Based on the Works of Stephen King What aspect of horror makes it such a popular genre of story and film? Are the large viewing crowds attracted to mysterious plots or maybe the bloody special effects? Or is there an ultimately deeper reason for the intrigue? In Stephen King’s article, “Why We Crave Horror Movies” he accurately asserts that it is the fear-facing elements, the establishment of normality or safety, and the peculiarly evil sense of satisfaction that is derived from horror that humans crave.…
Alfred Hitchcock An auteur is a director who is the 'author' of his or her film. Alfred Hitchcock is known worldwide for his distinctive style of filmography. His style can be immediately recognised when watching one of his films, by linking him to the techniques and plot devices in his films. His work has fixed him among world class directors.…
Another element Hitchcock uses, which makes his a juggernaut of his time in the world of Horror Film, is his use of psychological suspense to build up the audiences surprise. The use of music in Psycho ramps up the audience's heart rate as though the music indicates something surprising is about to unfold. The most suspenseful and surprising plot point of the movie is when the woman is snooping around Norman's mothers house and she wanders into the cellar.…
People often ponder if there is an unconscious drive behind their actions. The psychoanalytical theory explores the causes of Norman Bates’ crime within what makes him up. It suggests that his misconduct is the result of disturbances in his emotional development from his early childhood. The traumatic upbringing he suffered may have led him to developing antisocial tendencies that encouraged his long-term psychological troubles. The psychoanalytical theory claims that he represses many of his feelings and desires that prompt his actions driven by his unconscious mind.…
As a result, Alfred Hitchcock directed movie “Psycho” plot has open the…
Alfred Hitchcock’s Vertigo; an Interpretive Essay Vertigo is a psychological suspense-thriller written by Alfred Hitchcock in 1958. The movie tells the story of detective John “Scottie” Ferguson. After a rooftop chase, where his acrophobia and vertigo result in the death of a policeman, Scottie retires. Scottie is asked by an old college friend, Gavin Elster, if he would have a look into his wife, Madeleine's odd behavior.…
Psycho (1960) by Alfred Hitchcock thrills the audience with its suspense, and creeps the audience with the mind of Norman Bates. Often times in the film, what makes a scene scary is not with what is shown, but what is implied. The viewers often know more than the characters themselves, full of suspense and anticipation to the fate of each characters. Psycho, being a psychological thriller, ends up having much of the characters having something to hide from other characters, as well as the viewers.…
Whenever a film is produced there is conflict with whether viewers liked it or not; however, the answer to this statement is based off how the producer directs the movie. Did the film look realistic, is it exciting? Movie watchers look for this, they want to watch something interesting, not something that will bore them. Furthermore, the movie Psycho, was a black and white slasher produced in 1960 by Alfred Hitchcock. Psycho shows many scenes that will leave the audience confused, a motel owner Norman Bates cares for Marion a girl who arrives during a storm.…
Alfred Hitchcock 's 1960 film Psycho saw audiences introduced to a shy, isolated, but derrannged character - Norman Bates. The uncomfortable combination of both sympathy and disgust is slowly revealed through Bates ' history and the events that change him during the movie. Using sound, camera angles, and reorganisation of the generic conventions of horror films, Hitchcock constructed Bates ' character in a way that kept the audience in suspense as to whether he was truly a monster or just a young man suffering mental-instability. Norman Bates was originally written as a middle-aged, overweight, disconsolate man; a character screen audiences would recognise, but not embrace. Hitchcock "permenantly altered the face of the horror-film monster" (Freeland 2000, 161) not only by casting a skinny, fresh-faced Anthony Perkins whom audiences already knew as a young romantic lead, but by inviting audiences…
During this time, you saw the first movies from big names like Steven Spielberg with Jaws, Brain de Palma with Carrie from the famous novel from Stephen King. Then later came the independent films like Texas Chainsaw Massacre and Halloween 1978. After the success of the Halloween movie studios backed slasher films like Friday the 13th in 1980 and Nightmare on Elm Street in 1984. In the 1980’s came new technology, with special effects that brought horror into a new level. Now with latex, foam and animatronics movies like Alien, The Thing, An American Werewolf in London and Howling now could be seen in full color close-ups.…
Throughout the film industry, Alfred Hitchcock’s film Psycho has revolutionized the horror genre with his ways of merging the obvious with the mysterious. Alfred Hitchcock, ‘Master of Suspense,’ is known for his filming techniques which made his film stand out compared to other horror films during his period. Hitchcock used these techniques throughout the film Psycho to allow the viewers to get an insight of what is happening in the film. One of the most important scenes, where Hitchcock used several of techniques to reveal the film, is the parlor scene. The shot-by-shot analysis of the parlor scene is characterized by dialogue, lighting, symbols, and the four-quadrant rule.…
Alfred Hitchcock was a film director from England who moved the United States in 1939. He was famously known as the “Master of Suspense”. Hitchcock’s golden years of his cinema career were from the 1950’s to the 1960’s. During this time, he made various famous films, such as Vertigo, North by the Northwest, and Psycho. When we compare these films it’s hard to find something they might have in common.…
Callum Watt 000873235-3 Soundtrack Analysis - Psycho In the clip that we are provided (known as “The Murder) we are given a very famous and influential scene from one of Alfred Hitchcock's most critically acclaimed films. Bernard Herrmann, the composer for the movie did a sensational soundtrack with a low budget, and even went against Hitchcock’s wishes of the score to be jazz based. With the low budget instead of using an entire orchestra Herrmann only used strings to create an arguably more tense and dark feel to the movie, Fred Steiner, in an analysis of the score to Psycho, points out that “string instruments gave Herrmann access to a wider range in tone, dynamics, and instrumental special effects than any other single instrumental group…