In the articles “ The Epic Love Story of Sam and Dean” by Catherine Tosenberger and “Women, Star Trek and the Early Development of Fannish Vidding” by Francesca Coppa, examples of both textual poaching and intertextuality, or nomadic reading is demonstrated. Based off of discussions in class and Henry Jenkins “Get A Life”, textual poaching refers to the relationship between fans and producers, where fans interpret and re-create new materials by the appropriation of various media content. Nomadic reading describes how fans actively compose new material by incorporating existing texts into their work. Tosenberger discusses how active fan’s response to media content by examining relationships, challenging societal norms, or advocating on behalf…
1. Capital Punishment- ethical and moral debate of the death sentence According to Thomas Long, the author of “Capital Punishment- ‘Cruel and Unusual’?” , Long argues that Capital Punishment is unconstitutional because pain and suffering from Capital Punishment is not justified. He claims that until capital punishment is regarded as more effective punishment than less severe punishments, capital punishment cannot be justified.…
The book tells of a down trotted rebellious boy who’s obvious social short comings have often times been the cause of most of his problems. These short comings act as fuel for many of his mental ramblings, and social interactions. Obsessed with finding “phonies” the main character Holden Caulfield often times causes himself mental anguish with this obsession. Constantly angering himself over the actions of others, actions that may not even affect him in the slightest. One could denote that Holden Caulfield suffers from a condition called Misanthropy “A condition characterized by a need for solitude, and skepticism about the nobility of one's fellows.…
There has been a long tradition in manuscript and print culture, and that tradition is associated with the act of writing, transferring the product of the human intellect and imagination on a tangible that will carry it to distant places and distant times. The book as we know it extends past the life of its author the life of its language, it was written, and the style of art of its content. An Analyses of Greenblatt’s the swerve argues that the defiance of religion is what leads to the change from manuscript culture to print culture. The printing press allowed for the world to develop from manuscript culture to print culture but this change would have happened regardless of the technological advances due to the protestant reformation.…
America, the land known for its freedom and its classical novels. As years have come and gone, bestsellers and classics are being taken away from students in the school systems, the students have no say in the matter. Parents or the school board bring up the matter to the schools, then there are many meetings deciding whether the book should be banned or should stay. Challenging and banning books is a very popular matter now, with many eager to support, and some trying to get rid of the cause. Many parents and students question as to why books can be banned in the first place and what causes them to be taken out of so many schools.…
In this analysis, I have chosen two articles written by two great American writers from the early 1960s. From James Baldwin, I have chosen “As Much truth as One can Bear” and from Philip Roth, “Writing American Fiction”, both criticisms and diatribes against the literary culture of that era. Both writers make claims about the duty every writer has to the culture they live in, and it is these claims that make their points of view both reassuring and persuasive. In both Baldwin’s and Roth’s manifestos, there is at least a tacit insinuation that the writer should be highly valued in a culture.…
My book is The Darkest Path by Jeff Hirsch. It is a book with lots of action and adventure. The genre is futuristic fiction and is about two armies fed forces and path forces going to war to control America. The main protagonist is a 13 year old named Cal. He and his brother get captured by path forces when he was eight.…
Past and Present: Human Nature Portrayed in American Literature The very root of human nature has been debated for as long as humans have been civilized. The topic became ever more intriguing in literature over the last few centuries, as The United States of America was founded. The idea of a common human nature is very debatable and is open to interpretation, which can be seen through various authors’ representations of human nature. While each individual is entitled to their own interpretation as to what human nature is, many classic American works convey a common theme.…
The literary canon is a list of books chosen by scholars that displays the books that have been influential to western culture. The books chosen have been placed under this list because they contain important information that has impacted America. The controversial part of these “canonized” books is that they have been selected by “important” scholars. The system of canonizing a book lacks the diversity that the western hemisphere has, therefore, not all the western cultures are being represented. Representation is key to accuracy within history, in order to capture the essential history of the American literature.…
Once Upon a Time, Literature. Now What? James Salter is the author of the article, “Once Upon a Time, Literature. Now What?”…
A Guy Who makes Monsters When most people think of Stephen King they think horror. Though he has written many short stories and novel based on horror, he writes many different genera’s except romance. Based on his biographical information it will help readers understand why this is. In Kings’ western themed story “A Death” Jim Trusdale is arrested for the murder of a young girl and for stealing her silver birthday dollar. This story takes place in Black Hills, Dakota.…
An idea as old as time, happiness has always been about obtaining what few can ever have. At the most miniscule level, the constant struggle for happiness is a primal one. That primal need manifests into an instinct that can rival even the most basic human need—survival. When that instinct coalesces with human desires, an unforeseen transformation will take place—and whether that transformation is beneficial is yet to be seen. This perception is often mirrored in the novel Fahrenheit 451 written by Ray Bradbury.…
In his well-known article “Fiction and Non-fiction”, Kendall Walton introduces his theory of fiction as a game of make believe, in which representational art can be presumed as props that impose specific imaginings. Furthermore, Walton’s 1978 paper “Fearing Fictionally” addresses the paradox of fiction i.e. how can we be moved by things that do not exist in the case of fiction? The following paper will critically assess how Walton’s position in ‘Fearing Fictionally’ is related to his argument in ‘Fiction and Non Fiction’. In fiction and non-fiction, Walton’s fundamental notion is that of the term ‘representation’, which he often uses interchangeably with ‘fiction’.…
Cultural hegemony is the domination and manipulation of one social group over another. Within this domination and manipulation, there is a struggle. The general public are mostly manipulated into thinking certain ideas, these ideas are inflicted on them unknowingly. This manipulation of the mind more often than not stems from many texts where the composer promotes their biases through stylistic choices. Types of texts that do this are novels, films and cartoons and more specifically Animal Farm, The Mission, and My Dying will.…
In her book, “A Poetics of Postmodernism”, Linda Hutcheon identifies the term postmodernism, when used in fiction, to describe fiction that is at once metafictional and historical in the way it presents the texts and contexts of the past (Hutcheon, 40). This is what she calls historiographic metafiction. Most of the historiographic novels emphasize self-reflexivity and our paradoxical relations to past events. Historiographic metafiction somehow acknowledges the paradox of the past, that is to say, the past is accessible to us today only in the form of text. As Fredric Jameson reminds us, “history is not a text, but it is only accessible in textual form” (Homer, 4).…