Generally-speaking, Ehrenreich employs a large array of metaphors, in order to better foster a conspicuous relationship between the kitchen’s features and bodily organs. In further elaboration upon this reality, the author sheds light upon the dire conditions of the restaurant’s workers by elucidating upon the crude features of the human body; for instance, the extensive elaboration made upon the small intestine, which is, in turn, home to arguably the most obnoxious digestive processes, is explicitly linked to the garbage and disposal area: a manifestation of the hardships that Barbara endures on a rather frequent basis. Evidence from the text that further bolsters this claim is shown when Ehrenreich states, “Put your hand down on any counter
