Summary Of Can T Stop The Commercialization Of Hip Hop

Improved Essays
Hip-hop which had emerged in the midst of scant material, dwindling income, and education started to shift and transition around the late 1970’s and early 1980’s. Due to an up rise of commercialization, this transition had become referred to as a “slow death” for hip-hop. Throughout chapters 6-8 in Jeff Chang’s Can’t Stop Won’t Stop the commercialization of hip-hop is explored, where hip-hop is a form of art but that which now is being depleted and replaced with making money. While early hip-hop focused on political, and cultural issues, the lyrics have taken a turn and now illustrate violence and hyper masculinity. Early hip-hop focused more on the lyrics, the importance of relaying a message for justice for a community that has continued

Related Documents

  • Improved Essays

    In the New York Times book review of Can’t Stop, Won’t Stop, Alex Abramovich argues how Chang was supposed to do a documentary on the history of the Hip-Hop community, not about the politics of that time. Abramovich argues how Chang did a great job depicting the history and politics behind the development of hip-hop but winds-up forgetting about the music aspect of hip-hop and it’s four elements. Personally, I agree with what Abramovich implied. Chang do losses some of his focus on the music and the four elements. I don’t agree on how Chang’s work is arbitrary and out of pace though since every change that was depicted in the book, greatly influenced the way hip-hop was affected.…

    • 377 Words
    • 2 Pages
    Improved Essays
  • Improved Essays

    Society saw the genre, formally known as hip-hop, as being negative until a variety of races came together in New York to listen to this particular type of music. I believe that hip-hop can be being good or bad, but it is meant to tell a story. McBride writes, through hip-hop they were able to come together as a community “ The Bronx became a music magnet for Puerto Ricans, Jamaican, Dominicans, and Black Americans from the surrounding areas.” In New York the teens use what we call graffiti to express themselves. The graffiti shows the art aspect of hip-hop.…

    • 594 Words
    • 3 Pages
    Improved Essays
  • Improved Essays

    Cathleen Rountree author of “In Defense of Hip-Hop” issued her article of the Santa Cruz Sentinel, May 19,2007. She believes that hip-hop shouldn’t be the scapegoat and blame of the violent acts that goes on. Her rhetorical tools such as evidence makes her argument very effective. It is not just negative music, without credibility never judge a book by its cover.…

    • 564 Words
    • 3 Pages
    Improved Essays
  • Improved Essays

    Unquestionably we live in an advance-centralized world, the network has been in our lives from any aspect anyone can think of. It became a pivotal vehicle for our lives. From the help of the Internet hip-hop progressed into one of the utmost influential forces. The reason for this is that, contrasting any other ranges of music; hip-hop is entrenched in a larger power. The hip-hop genre is conceivably one of the most persistent and prevailing cultural forms as of now, it’s evidently different from other forms of culture because it arose inside and established in a discrete subgroup.…

    • 1009 Words
    • 5 Pages
    Improved Essays
  • Improved Essays

    Urban hip-hop culture started in the mid 1970s as the originate and public expressions within spray painting composing, deejaying, break moving, and rap music - of dark and Latino youth in the discouraged South Bronx, and the development has since developed into an overall social wonder that penetrates practically every part of society, from the way of dressing to overall language. Although, hip-hop has been abused in through the young black female ladies who later became available to promote a voice towards the hip…

    • 636 Words
    • 3 Pages
    Improved Essays
  • Improved Essays

    These opinions, held by many in academia, ignore the individual contributions of various people involved in hip-hop’s making. In order to make this argument, he must assume that everyone was interested in showcasing their aesthetic taste as opposed to making statements about their lives, neighborhoods and circumstances. He justifies this in his discussion of early hip hop when he speaks on how hip-hop did not develop because artists had no other choice but to develop hip-hop. Unlike many scholars, he does not center on hip-hop as a large movement or subculture within Black America™. He instead focuses on the aesthetic quality of early hip hop, embodied in deejaying, which later leads to producing.…

    • 1237 Words
    • 5 Pages
    Improved Essays
  • Great Essays

    Glory Sparknotes

    • 1072 Words
    • 5 Pages

    Craig Watkins, Gaye Theresa Johnson, and Robin D.G. Kelley to understand why music is such an inclusive and meaningful expression for African Americans. This paper will attempt to understand how black music came to be, the urban situations that created a need for music, how hip hop, rap, and rock ‘n’ roll demonstrated blacks representation of urban situations, and how blacks represent problems facing African Americans in society and in cities. In order to understand why music, and hip hop more specifically, is heralded as a uniquely black form of expression, it is important to understand the construction of city life that awoke a desire for self and cultural expression through the art of music. This paper will link social and urban conditions that created unique circumstances, like increased violence and crime, and suburbanization, for the birth of hip hop culture. This paper will examine several important themes of hip hop: how it was formed, what hip hop culture is, patterns in rock ‘n’ roll, deconstruction of the urban environment, hip hop politics, and whiteness.…

    • 1072 Words
    • 5 Pages
    Great Essays
  • Improved Essays

    In the patriarchal world of hip-hop music, a vast majority of artists customarily gravitate to forms of expression that center around the objectification and degradation of women. According to Tia Tyree and Michelle Jones, “many have characterized the entire genre as negative” (Tia Tyree & Michelle Jones 54). The substantial presence and rampant usage of misogynistic themes is so evident, the disparaging criticism that hip-hop music receives is perfectly understandable. Negatively labeling the entire genre of hip-hop, however, as solely crude and objectionable without acknowledging artists that strive to break traditional misogynistic boundaries is overcritical. Through the endeavors of several artists such as Drake and Bryson Tiller, hip-hop’s nature has undergone a significant ideological shift from masculinity and bravado to emotionality and introspectiveness.…

    • 301 Words
    • 2 Pages
    Improved Essays
  • Great Essays

    Hip-hop is a historically black genre of music, with different iterations almost everywhere in the world now. If you turn on your car radio on the way to work it’s likely that you’ll hear a popular hip-hop song. You may even come across street performers having a rap battle. Either way, it’s one of the most common genres today. Hip-hop is a genre dedicated to telling stories of hardship in a poetic form.…

    • 1539 Words
    • 7 Pages
    Great Essays
  • Improved Essays

    Hip hop was not only a form of income, but a tool that brought communities together by stifling gang activity. Hip hop was an art form that gave blacks the ability to attempt to make money doing an activity that came with no negative repercussions. The school-to-prison pipeline suppressed blacks’ ability to hold and retain a career and better themselves in the future. Without the struggle and persecution of the african american community, America would be without some of its most popular…

    • 1381 Words
    • 6 Pages
    Improved Essays
  • Improved Essays

    I found Monday’s class very interesting with respect to a better understanding of what a cultural movement is and how it applies to hip-hop. At first, I must admit that I did not understand how my peers were illustrating that hip-hop could be recognized as a cultural movement and yet it is however, criticized as a movement that does not impact social change or progress. I immediately thought, that this notion was very incorrect. A cultural movement when recognized as a cultural movement should also be acknowledged as a powerful process that without you realizing it is creating a change or shift in people's political or social consciousness.…

    • 309 Words
    • 2 Pages
    Improved Essays
  • Great Essays

    Lastly, even though lyrics follow the urban society’s view on their own situations, many contemplate that the content can be mislead, over exaggerate or inappropriately describe the nation and its people. As often as Americans preach the good word of fairness and equality, the American urbanites filling cities like Chicago, Atlanta and Watts were locked out of the sermon. During what historians call the Civil Rights Era (Timeline: Civil Rights Era 1954-1971), Americans would witness multiple changes in the country’s history in regards to minorities, especially African Americans. And to truly understand the lyrical significance of Hip Hop, it is imperative that the history leading up to the beginning of Hip Hop. Take year 1956, this is not only the same year Clive Campbell, the father of Hip Hop was born, but also the year that the Supreme Court found the segregation of the Montgomery Buses as an unconstitutional practice (Timeline: Civil Rights Era 1954-1971).…

    • 3451 Words
    • 14 Pages
    Great Essays
  • Superior Essays

    Hip Hop Wars Analysis

    • 1143 Words
    • 5 Pages

    Tricia Rose’s “The Hip Hop Wars” commences and entitles the first chapter as “Hip Hop Causes Violence.” Before furthering on with the chapter, one may intuitively develop a bias supposition that what is titled is based on an actual fact without having any valid evidence to prove why it is the way it is. Tricia Rose, whom is an author, a scholar, and a public speaker presented an argument stating “a key aspect of much of the criticism that has been leveled at hip hop is the claim that it glorifies, encourages, and thus causes violence (Hip Hop Wars, pg.34).” Although several critics may agree that hip hop promotes violence, Tricia Rose covers the significant aspects of the controversy whether hip-hop indeed causes violence.…

    • 1143 Words
    • 5 Pages
    Superior Essays
  • Improved Essays

    Evolution Of Hip Hop

    • 876 Words
    • 4 Pages

    Many up and coming male hip-hop artist portray themselves as a gift to the world, they flaunt their wealth and belongings and amongst the wealth and belonging, women are viewed and portrayed as degraded sexual objectes that can could be replaced with out batting an eye. "I don 't like stuff that demeans me as a black woman, or a woman, period." Says lisa Fager a promotional specialist for record labels. In agreeance, Hip-hop wouldn’t be subjected to such a negative opinion if it weren’t for the misogynistic and sexist lyrics. Like the other explicit and controversial views and aspects hip-hop has to offer the youth, the violent and provocative out looks on sex and women are among the worst, reason being, is because males dominate the hip-hop scene and as said before, the primary consumers of their records are among white and black youths who most likely dominate the majority of the percentage, if the percentage of males were to be influcned in anyway by the hip-hop, the results would be catastrophic.…

    • 876 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    Hip Hop music is a language that references the cultural and technical events prevalent in society. As sited in the lecture, "hip hop music has a diverse and colorful history"with stem in "graffiti",b-boying,djing, and mc 'ing . This essay will explore the four elements of hip hop in depth. Graffiti immerged in the early 1960 's in Phildelphia (lecture notes). To graffiti was to express yourself through art on anything around the city.…

    • 997 Words
    • 4 Pages
    Improved Essays