Meeropol describes the man as he is hanging from the poplar tree, and the weather of place the man is at. “Black bodies swingin' in the Southern breeze / Strange fruit hangin' from the poplar trees” (3-4). The author also uses metaphors in the poem. For example, the “Strange Fruit hangin’ from the poplar tree” (4) are black casualties. The author compares strange fruit to a black man lynched. Finally, the author uses juxtaposition when he starts off by saying, “Pastoral scene of the gallant South” (5). This indicates that the South is very spiritual and romantic. Meeropol then goes on with saying “The bulgin’ eyes and the twisted mouth” which is almost the opposite of the first stanza in the second verse. The next stanzas also juxtaposes each other when Meeropol writes, “Scent of magnolias sweet and fresh / Then the sudden smell of burnin' flesh” (7-8). These four stanzas juxtapose each other because the contemptment of the positive stanzas outweigh the dreadfulness in the other
Meeropol describes the man as he is hanging from the poplar tree, and the weather of place the man is at. “Black bodies swingin' in the Southern breeze / Strange fruit hangin' from the poplar trees” (3-4). The author also uses metaphors in the poem. For example, the “Strange Fruit hangin’ from the poplar tree” (4) are black casualties. The author compares strange fruit to a black man lynched. Finally, the author uses juxtaposition when he starts off by saying, “Pastoral scene of the gallant South” (5). This indicates that the South is very spiritual and romantic. Meeropol then goes on with saying “The bulgin’ eyes and the twisted mouth” which is almost the opposite of the first stanza in the second verse. The next stanzas also juxtaposes each other when Meeropol writes, “Scent of magnolias sweet and fresh / Then the sudden smell of burnin' flesh” (7-8). These four stanzas juxtapose each other because the contemptment of the positive stanzas outweigh the dreadfulness in the other