Mallard’s armchair symbolizes her new, profound freedom from her oppressive marriage. Experiencing a loved one’s death, one usually expects a person in grief to weep in agony and pain. However, when Louise is informed of her beloved husband’s death, she exiles herself to her room and sits calmly in the armchair. As put by Chopin: “There stood, facing the open window, a comfortable, roomy armchair” (86). Describing the chair as “roomy” suggests that Mrs. Mallard now has space to move around in her life as a result of her husband’s apparent death. Therefore, she is no longer constricted by her husband, which was a common issue in the 1890s. Also, the location of the armchair plays an imperative role in “The Story of an Hour.” The chair is located in her room where she has the ability to reflect on what she chooses. “Just as she locks herself in her room and locks out her social world, she also locks out social conventions” (Jamil). Her bedroom is her solace from her social expectations, and her room is where she finds her revelations. Furthermore, since the armchair is located within her private quarters, Chopin describes the armchair as “comfortable,” which validates that Mrs. Mallard feels content within her
Mallard’s armchair symbolizes her new, profound freedom from her oppressive marriage. Experiencing a loved one’s death, one usually expects a person in grief to weep in agony and pain. However, when Louise is informed of her beloved husband’s death, she exiles herself to her room and sits calmly in the armchair. As put by Chopin: “There stood, facing the open window, a comfortable, roomy armchair” (86). Describing the chair as “roomy” suggests that Mrs. Mallard now has space to move around in her life as a result of her husband’s apparent death. Therefore, she is no longer constricted by her husband, which was a common issue in the 1890s. Also, the location of the armchair plays an imperative role in “The Story of an Hour.” The chair is located in her room where she has the ability to reflect on what she chooses. “Just as she locks herself in her room and locks out her social world, she also locks out social conventions” (Jamil). Her bedroom is her solace from her social expectations, and her room is where she finds her revelations. Furthermore, since the armchair is located within her private quarters, Chopin describes the armchair as “comfortable,” which validates that Mrs. Mallard feels content within her