This story made O’Connor’s Christian visit and darkly comic intent clearer to the readers and allowed for it to be easily grasping the intent of her 1960 story. The story is one of the best pieces of Southern Gothic literature now; it exemplifies what Southern Gothic literature focuses on. Surprisingly O’Connor despised the label; she mastered to write it in almost every story. Since the setting of the story is set in the south, like many of her other works, the imagery is often detailed frequently. The characters in her short story start of f in a very realistic family lifestyle and the grandmother is labeling what is a “good man.” The characters acknowledge that a good man is indeed hard to find anymore. When the Misfit runs into the family, the Southern Gothic part of the story kicks in and they encounter a strange, dangerous situation. The grandmother and the Misfit have a conversation pertaining Jesus and the Misfit dismisses it by acknowledging he is his own savior. In the short stories that have religion as a big part of the context, the character is always looking to be saved. The antagonist of every story is an independent individual who needs no one to save them, unlike the protagonist who are always robbed of some sort of precious life or dignity. This story is less of a family being murdered on their way to their vacation, but more about what everyone takes with them to
This story made O’Connor’s Christian visit and darkly comic intent clearer to the readers and allowed for it to be easily grasping the intent of her 1960 story. The story is one of the best pieces of Southern Gothic literature now; it exemplifies what Southern Gothic literature focuses on. Surprisingly O’Connor despised the label; she mastered to write it in almost every story. Since the setting of the story is set in the south, like many of her other works, the imagery is often detailed frequently. The characters in her short story start of f in a very realistic family lifestyle and the grandmother is labeling what is a “good man.” The characters acknowledge that a good man is indeed hard to find anymore. When the Misfit runs into the family, the Southern Gothic part of the story kicks in and they encounter a strange, dangerous situation. The grandmother and the Misfit have a conversation pertaining Jesus and the Misfit dismisses it by acknowledging he is his own savior. In the short stories that have religion as a big part of the context, the character is always looking to be saved. The antagonist of every story is an independent individual who needs no one to save them, unlike the protagonist who are always robbed of some sort of precious life or dignity. This story is less of a family being murdered on their way to their vacation, but more about what everyone takes with them to