Tans developments in soul music, style, and live execution had earned him the epithet "The Godfather of Soul." Brown had a rough, deep voice that he joined with his favorite move moves. By the mid-1960s he was taking soul a radically new way. He laid the preparation for what might be called funk music. Southern soul had remained a huge nearness in well-known music all through the 1970s.
Soul at its turn impacted funk music, which rose in the 1970s, and this kind of music could be known as the progenitor of hip-bounce and contemporary R&B. Truth be told jazz could likewise be viewed as a precursor of hip-bounce because of its rapping. Beam Charles' comprehensive state of mind toward music was one that he created amid his adolescence and early profession. A beam was drenched in the hints of jazz, blues, gospel, and nation in his childhood, playing in R&B groups and a Country Hillbilly band. Beam Charles spearheaded soul music, which greatly affected famous music. In secularizing certain parts of gospel music with R&B, Ray got his first gospel and R&B hit "I Got a Woman", which got consideration from both high contrast gatherings of people. Hence, additionally discharges like "What'd I Say"