Sentiment: The Role Of Social Realism In Film

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Leonard Quart & Albert Auster (2011), they reveal that films have the ability to evoke the mood and tone of a society in a particular era. However, there was a time when a number of historians and social scientists were hesitant about accepting this truism. By films, one means not merely documentaries, which obviously directly capture something of the reality of people’s lives and feelings, but also mainstream Hollywood commercial films. It is not only that these films sometimes convey and imitate the surfaces of day to day life, the way people talk, dress and consume- though social realism is clearly not anaesthetic that Hollywood usually embraces or has seen as commercially viable. But more important fictional films reveal something of the dreams, desires, displacements, and, in some cases, the social and political issues that confront American society.
Undeniably, films are a powerful and significant art form. Sentiment obviously is somewhat hyperbolic. But films shown in theatres, on television and in DVDs are clearly one of the prime forms of entertainment accessible element
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The power of cinema can change the perception of unreal to real. In Germany, in the first decade of the twentieth century, film drew the viewer into its fictional world. But access viewing of films leads or contributes to rapid increase of crime, asocial behaviour, juvenile delinquency. Until world war I, the other nations like European has dominated the German market in the film products. Due to state security, the imperial government banned enemy’s products. So film was proposed as a means to rally domestic support for the effort of war. Cinema at that time was regarded as the most advanced technological form of commercialized culture. After 1930, in Germany, cinema act as both an agent and an indicator of social change. And thus cinema came to be understood as a force of moral and national

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