Slow Dance Matthew Dickman Analysis

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Essays, Not Rants! 233: To Tell The Truth

How do you tell the truth? Saying “Alice and Bob broke up” may be what happened, but is it the truth of it all? Breakups are messy business; did Alice break up with Bob or Bob break up with Alice? Did Bob break up with Alice for Charlie? Suddenly there’s a narrative attached to the happening, which in turn colors our perception of what happened. It may be less accurate, but it could be closer to the truth. Maybe the truth is Bob feels like his heart’s been ripped out. But there’s gotta be a better way to say it.

Enter fiction. And writing in general, actually, since trying to capture that elusive truth is one of the things poetry does so well. When Matthew Dickman describes the act of a dance in “Slow Dance” as “The my body // is talking to your body slow dance” it’s decidedly not factual (bodies, um, don’t talk). Heck, it’s not even strictly grammatically correct. But, what it does do – along with the rest of the poem – is describe the truth of that dance “with really exquisite strangers.” Throughout “Slow Dance” Dickman invites you into a
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The show’s musical numbers are largely born out of a heightened emotional state, be it feeling excluded at a group hang or the stress of a parent coming to visit. These songs sometimes serve as a culmination of a sequence and let us in to the singer’s mind. A striking example is the song “You Stupid Bitch,” wherein Rebecca finds herself at one of her lowest points — everything she’s been striving for has blown up in her face. So she sings this song rife with self-loathing, this incredibly harsh, unflinchingly brutal song — a song that she has the imaginary crowd join in on. Now, in the real world people don’t get a musical number when their depression closes in on them. But, that feeling of despair with a crowd in your head singing your ills is absolutely

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