The slave was even referred to as “pieces” comparing their bodies to pieces of material or commercial objects (Conrad 166). But some were able to hold a variety of roles as evidenced in “Four Classes of Blacks: The Observations of a British Clergyman in Rio de Janeiro” where Robert Walsh, notes the four different roles he saw Black people employed in throughout a single day, eventually concluding that color is simply a quality that should be compared to clothes (Conrad 220). A person of African descent being able to express themselves as free people with their own interests was difficult even when they were granted freedom. Therefore sometimes it had to take a lot of courage to deviate from the norm. Their collective but individual impact on Brazilian families is shown in “The influence of Black and Mulatto Household Slaves” by Jose Verissimo (Conrad 221), and “The Black Wet Nurse: A Status symbol” by Charles Expilly (Conrad 139). Both talk about the turst and intimacy that the mucama had with Brazilians and the need for the domestic to be an overall caretaker of all, portraying in Expilly a status symbol that would be representative of the status of the family. In this way the African domestic would be able to perhaps more likely be treated as a human and resist against the true destruction of their
The slave was even referred to as “pieces” comparing their bodies to pieces of material or commercial objects (Conrad 166). But some were able to hold a variety of roles as evidenced in “Four Classes of Blacks: The Observations of a British Clergyman in Rio de Janeiro” where Robert Walsh, notes the four different roles he saw Black people employed in throughout a single day, eventually concluding that color is simply a quality that should be compared to clothes (Conrad 220). A person of African descent being able to express themselves as free people with their own interests was difficult even when they were granted freedom. Therefore sometimes it had to take a lot of courage to deviate from the norm. Their collective but individual impact on Brazilian families is shown in “The influence of Black and Mulatto Household Slaves” by Jose Verissimo (Conrad 221), and “The Black Wet Nurse: A Status symbol” by Charles Expilly (Conrad 139). Both talk about the turst and intimacy that the mucama had with Brazilians and the need for the domestic to be an overall caretaker of all, portraying in Expilly a status symbol that would be representative of the status of the family. In this way the African domestic would be able to perhaps more likely be treated as a human and resist against the true destruction of their