“Deliberate disfigurement [is a] conventional sign of mourning ”; perhaps both characters are mourning the loss of themselves and the perceived lack of control over their bodies and perceptions. This links to the idea of the male gaze; “the act of looking is an important factor of the male gaze, stressing that the scenario most often involves the man looking and the female being looked at ”. This is relevant when considering Holdsworth’s marriage to Lucille, a woman who is “curiously like Phillis Holman ”. By including this comparison to Phillis, it so appears Holdsworth has subconsciously replaced Phillis with his new wife, as when he left Hope Farm he was unable to look at her. It seems as though this marriage is just a matter of convenience for him, letting him look upon a similar woman that is more readily available to fulfill his desire to just watch. This seems to imply women are impersonal and interchangeable, with one bearing no individuality than
“Deliberate disfigurement [is a] conventional sign of mourning ”; perhaps both characters are mourning the loss of themselves and the perceived lack of control over their bodies and perceptions. This links to the idea of the male gaze; “the act of looking is an important factor of the male gaze, stressing that the scenario most often involves the man looking and the female being looked at ”. This is relevant when considering Holdsworth’s marriage to Lucille, a woman who is “curiously like Phillis Holman ”. By including this comparison to Phillis, it so appears Holdsworth has subconsciously replaced Phillis with his new wife, as when he left Hope Farm he was unable to look at her. It seems as though this marriage is just a matter of convenience for him, letting him look upon a similar woman that is more readily available to fulfill his desire to just watch. This seems to imply women are impersonal and interchangeable, with one bearing no individuality than