Vocabulary emphasises and glorifies the core aesthetic of ‘gothic,’ maintaining a dark and enthused impression that it defines. Emotional exaggeration and an underlined plot, or setting is employed by Gothic writers to explore the difference between appearance and reality. For example Carter analyses this in The Bloody Chamber, “I was not so much afraid of him, of his monstrous presence, heavy as if he had been gifted with more specific gravity than the rest of us, the presence that, even when I thought myself most in love with him, always subtly oppressed me… No.” Furthermore, the elevation of emotional intensity is expressed predominately in The Fall of the House of Usher through themes of madness and the deceased mind of corruption, or decay. This creates unsatisfactory conclusions, which lie beyond our depth and relate to the confrontation of
Vocabulary emphasises and glorifies the core aesthetic of ‘gothic,’ maintaining a dark and enthused impression that it defines. Emotional exaggeration and an underlined plot, or setting is employed by Gothic writers to explore the difference between appearance and reality. For example Carter analyses this in The Bloody Chamber, “I was not so much afraid of him, of his monstrous presence, heavy as if he had been gifted with more specific gravity than the rest of us, the presence that, even when I thought myself most in love with him, always subtly oppressed me… No.” Furthermore, the elevation of emotional intensity is expressed predominately in The Fall of the House of Usher through themes of madness and the deceased mind of corruption, or decay. This creates unsatisfactory conclusions, which lie beyond our depth and relate to the confrontation of