It is interesting to consider though, why Gothic literature* as a genre would tend to handle female characters in a less than delicate manner. Gothicism thrives in times of rapid, intense cultural change. Gothic Literature transfigures real-life societal fears into tangible monsters. Just as Frankenstein’s monster is the personification of fears over rapid technological advances and the growing impersonality of the industrial revolution, Lady Macbeth could be viewed as the physical representation of the anxieties over Elizabeth I’s reign, while vampire Lucy is clearly the fear of first wave feminism. Ultimately however, the comparison of female characters in Macbeth and Dracula exposes how painfully slowly society changes its
It is interesting to consider though, why Gothic literature* as a genre would tend to handle female characters in a less than delicate manner. Gothicism thrives in times of rapid, intense cultural change. Gothic Literature transfigures real-life societal fears into tangible monsters. Just as Frankenstein’s monster is the personification of fears over rapid technological advances and the growing impersonality of the industrial revolution, Lady Macbeth could be viewed as the physical representation of the anxieties over Elizabeth I’s reign, while vampire Lucy is clearly the fear of first wave feminism. Ultimately however, the comparison of female characters in Macbeth and Dracula exposes how painfully slowly society changes its