The camera angles in their conversation oscillate between Troy’s condescending perspective and Sophie’s powerless perspective. These camera angles demonstrate that Troy is in power over Sophie in their relationship. In each of these scenes, the viewer is a participant of the situation. As a participant, the viewer can easily engage with the scenes. The “meaning” that the viewer draws from the scene “comes from the interaction between” the movie “and the viewer” (Lancioni 106). Therefore, the use of camera angles engages the viewer with the scene and distinctly imprints the idea that different characters have different power identities in the movies. Some of the black students have power only over the other black students like Sam, while other black students have power over the white students like Troy has with
The camera angles in their conversation oscillate between Troy’s condescending perspective and Sophie’s powerless perspective. These camera angles demonstrate that Troy is in power over Sophie in their relationship. In each of these scenes, the viewer is a participant of the situation. As a participant, the viewer can easily engage with the scenes. The “meaning” that the viewer draws from the scene “comes from the interaction between” the movie “and the viewer” (Lancioni 106). Therefore, the use of camera angles engages the viewer with the scene and distinctly imprints the idea that different characters have different power identities in the movies. Some of the black students have power only over the other black students like Sam, while other black students have power over the white students like Troy has with