Silence Of The Lambs Comparison

Superior Essays
The popularity of Jonathan Demme's movie is likely to last as long as there is a market for being scared. Like “Nosferatu,” “Psycho” and “Halloween,” it illustrates that the best thrillers don't age. Fear is a universal emotion and a timeless one. But “Silence of the Lambs” is not merely a thrill show. It is also about two of the most memorable characters in movie history, Clarice Starling and Hannibal Lecter, and their strange, strained relationship (“people will say we're in love,” Lecter cackles).

They share so much. Both are ostracized by the worlds they want to inhabit--Lecter, by the human race because he is a serial killer and a cannibal, and Clarice, by the law enforcement profession because she is a woman. Both feel powerless--Lecter because he is locked in a maximum security prison (and bound and gagged like King Kong when he is moved), and Clarice because she is surrounded by men who tower over her and fondle her with their eyes. Both use their powers of persuasion to escape from their traps--Lecter is able to rid himself of the pest in the next cell by talking him into choking on his own tongue, and Clarice is able to persuade Lecter to aid her in the search for the serial
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There are exhalations and sighs at many points, as when the cocoon of the gypsy moth is taken from the throat of Bill's first victim. Much heavy breathing. There are subterranean rumblings and faraway cries and laments, almost too low to be heard, at critical points. There is the sound of a heart monitor. Howard Shore's mournful music sets a funereal tone. When the soundtrack wants to create terror, as when Clarice is in Bill's basement, it mixes her frightened panting with the sound of Bill's heavy breathing and the screams of the captive girl--and then adds the dog's frenzied barking, which psychologically works at a deeper level than everything else. Then it adds those green goggles so he can see her in the

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