Sicario Ambiguity

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At the center of Denis Villeneuve’s crime thriller a black and twisted heart beats.
Sicario is an unforgiving tale of war & violence, which masterfully uses a modern setting to paint a portrait of hell. When Sicario begins, it’s visually all arid suburban desert-scapes and harsh light. Yet as the film progresses and the world’s ambiguity is unveiled our protagonist becomes morally incompetent. Cinematographer Roger Deakins and director Denis Villeneuve shift to a color palette of dark blues, oranges, reds, and grays. The desert becomes almost lunar as it becomes shrouded in darkness.

In a like manner, the color promptly represents the characters ideals and allegiances. For instance Emily Blunt’s character Kate Mercer is seen near the beginning wearing blue, which is a simple visual reminder of the notion of justice Kate firmly upholds. As Sicario moves along Kate’s support for justice becomes disillusioned in a systemic sense. The colors in her shirt gradually transition to gray and finally into a nihilistic white. Conversely Alejandro Benecio Del Toro’s character is often seen wearing beige. He is a cryptic like chameleon figure. Who dresses much like his surroundings although his allegiances and background are unknown to both Kate and the audience. Alejandro sheds a portion of his beige clothing to a darker blue once he undertakes in a more “legal” operation. Though after completing the operation he reverts back to his beige outfit and ultimately as his nature and past are revealed Alejandro’s outfit shifts to pure black.
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However, that thought was pretty much obliterated during the opening sequence as Johann Johannsson’s score made my heart swell to the point that creates a sense of

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