Knowles’s denial to capitulate to societal beliefs and instead reveal real instances of raw human desire and hate through Gene and Finny elicit strong emotional responses to the story, thus developing this literary element throughout the book. The novel’s underlying tone of homoerotic love, despite the violent actions of Gene, allows Knowles to create multi-faceted characters that point to characteristics within human nature that are seen as controversial and led to the banning of the book. As the book is set in 1942, the boys are exploring their relationship through the lens of their time and while Knowles doesn’t explicitly confirm this kind of desire between the boys, author of the novel’s Afterword David Levithan feels that Knowles “created a compelling reason for the boys to have [it].” After Gene confesses to Finny that he “shook the branch” and purposefully tried to hurt him, Finny “seize[s] [his] shoulders and sh[akes] [him] hard” (Knowles chapter
Knowles’s denial to capitulate to societal beliefs and instead reveal real instances of raw human desire and hate through Gene and Finny elicit strong emotional responses to the story, thus developing this literary element throughout the book. The novel’s underlying tone of homoerotic love, despite the violent actions of Gene, allows Knowles to create multi-faceted characters that point to characteristics within human nature that are seen as controversial and led to the banning of the book. As the book is set in 1942, the boys are exploring their relationship through the lens of their time and while Knowles doesn’t explicitly confirm this kind of desire between the boys, author of the novel’s Afterword David Levithan feels that Knowles “created a compelling reason for the boys to have [it].” After Gene confesses to Finny that he “shook the branch” and purposefully tried to hurt him, Finny “seize[s] [his] shoulders and sh[akes] [him] hard” (Knowles chapter