Mer-Maid follows this pattern with each line rhyming with the following in majority of the poem, lines 1 through 10. However Shel Silverstein breaks this pattern in lines 11 and 12, to where neither line rhymes with each other or with any other line in the poem. This also breaks the tempo of the poem, following a pull and push tempo, with the last two lines becoming more like sentences on their own. This shows the audience that the speaker is slowly coming to the realization that the mermaid might not be happy; although the poem never addresses any deeper emotional connection between the speaker and the mermaid. Mer-Maid provides the audience of a joyous adoptable family until the speaker witnesses the mermaid crying as she misses her original …show more content…
In Mer-Maid, Shel Silverstein, never goes beyond a basic second grade level of reading and even throws in slang throughout the poem, such as “lookin’”(11) and “’neath”(7). The choice for an informal diction also helps with identifying the speaker, a child which would project onto the reader of innocence. Mer-Maid also never tells the audience any feelings that the mermaid might be feeling or any events through her own eyes, potentially because Shel Silverstein did not want to show the audience any true or complex emotions; both of which would reveal the mermaids’ true thoughts. This poem projects a story through a child’s eyes, those of innocence, with the word choice to follow the speakers age and state of