The film itself is a subtype of fiction known as speculative fiction whereby the creators of the film poses a question and then gives their version of how that scenario would likely play out, in this case that question is What would happen if an alien spacecraft came to a stop over the city of Johannesburg? This type of fiction contains lots of elements of narrative but still some realistic aspects. In the film, the realistic aspects are those conveyed in documentary style and the ‘what if’ type components are displayed through the science fiction parts. The majority of the film is set in science fiction narrative mode. We can tell this because the viewers can witness parts of the story line that would not make sense if it were in documentary mode, in that some of the things we see would be reported immediately if the authorities had seen it. The scene in which Christopher Johnson and his son are scrounging through the rubbish pile to find the fluid to power the spaceship to get home is a perfect example of narrative mode. The parts of the movie that are in documentary mode contain interviews, archival footage and interaction with the camera which are all known conventions of a documentary. The beginning of the film (first 19 minutes) is in documentary mode which gives us a lot of contexts to apply to the rest of the film to gain a deeper
The film itself is a subtype of fiction known as speculative fiction whereby the creators of the film poses a question and then gives their version of how that scenario would likely play out, in this case that question is What would happen if an alien spacecraft came to a stop over the city of Johannesburg? This type of fiction contains lots of elements of narrative but still some realistic aspects. In the film, the realistic aspects are those conveyed in documentary style and the ‘what if’ type components are displayed through the science fiction parts. The majority of the film is set in science fiction narrative mode. We can tell this because the viewers can witness parts of the story line that would not make sense if it were in documentary mode, in that some of the things we see would be reported immediately if the authorities had seen it. The scene in which Christopher Johnson and his son are scrounging through the rubbish pile to find the fluid to power the spaceship to get home is a perfect example of narrative mode. The parts of the movie that are in documentary mode contain interviews, archival footage and interaction with the camera which are all known conventions of a documentary. The beginning of the film (first 19 minutes) is in documentary mode which gives us a lot of contexts to apply to the rest of the film to gain a deeper