Many of the scenes’ backgrounds, from a messy bedroom to a math classroom, are places where students typically use their phones so it would be easier for students to connect with Sebastian. In Mike Bunn’s guide “How to Read Like a Writer,” he emphasizes the importance of making a text accessible toward the intended audience and does it himself by using second person to welcome the reader into conversation (76). Similar to how Mike Bunn makes his guide more interactive by using the pronoun “you”, the picture book’s relatable scenes allow readers to see themselves in Sebastian’s world, since they use the same devices and live in a similar
Many of the scenes’ backgrounds, from a messy bedroom to a math classroom, are places where students typically use their phones so it would be easier for students to connect with Sebastian. In Mike Bunn’s guide “How to Read Like a Writer,” he emphasizes the importance of making a text accessible toward the intended audience and does it himself by using second person to welcome the reader into conversation (76). Similar to how Mike Bunn makes his guide more interactive by using the pronoun “you”, the picture book’s relatable scenes allow readers to see themselves in Sebastian’s world, since they use the same devices and live in a similar