Throughout the Harlem Renaissance, Nella Larson wrote intermittent narratives that emulated portions of her life, such as Passing; these narratives emulate her desire for access to wealth, middle-class comfort, and white privileges. Larsen herself, scuffles with identity after her Negro father from the Virgin Islands dies at her age of two, and her Danish mother marries a man of her race and nationality. At the age of five, Larsen attends a small private school whose pupils were mostly German and Scandinavian. Labeling herself as a mulatto¬¬, a daughter of an interracial family she does not identify a specific connection with her West Indian relatives. Passing protagonists, Irene Redfield, and Clare Kendry also struggle with racial and sexual…