The details of the cues were extremely meticulous. While the color palette for the piece was primarily blues and greens, there were so many variations on the tint and shade. Furthermore, I saw how the shape of the light hid or exposed different parts of the dance. I noticed that there often wasn’t an immediate change in the lighting when a cue was called, but instead multiple cues spread out over time could add up to slowly create a dramatic change. Each cue was timed down to the exact millisecond. The variation in the duration and timing of each cue helped evoke different attitudes of the piece. It was very clear for Brown’s piece most of the lighting cues were rhythmically inclined. I specifically saw that the more dramatic and upbeat the choreography and music got, the brighter and more saturated the lighting
The details of the cues were extremely meticulous. While the color palette for the piece was primarily blues and greens, there were so many variations on the tint and shade. Furthermore, I saw how the shape of the light hid or exposed different parts of the dance. I noticed that there often wasn’t an immediate change in the lighting when a cue was called, but instead multiple cues spread out over time could add up to slowly create a dramatic change. Each cue was timed down to the exact millisecond. The variation in the duration and timing of each cue helped evoke different attitudes of the piece. It was very clear for Brown’s piece most of the lighting cues were rhythmically inclined. I specifically saw that the more dramatic and upbeat the choreography and music got, the brighter and more saturated the lighting