However, we must also remember that he is a ‘literary’ embodiment of the main argument made by Dostoevsky against rational egoism – as Pevear states, not only does the author present to us an antihero, but also an “antibook” (in Dostoevsky 2006, p.ix). We must also be aware of the socio-political climate of the time, and how heavily Dostoevsky had been censored in his work. The Wayne Booth model of narrator unreliability states that this unreliability is a “function of irony” – a channel to communicate ideas behind the “speaker” (the narrator, who is the embodiment of the irony itself) (Olsen 2003, p.94). We can see the satirical nature of the novel, especially in the Underground Man’s encounter with the characters in Apropos, and the inherent humour through which Dostoevsky presents them to us. Pevear states that “laughter creates the distance that allows for recognition,” thereby distinguishing the author from the narrator (in Dostoevsky 2006, p.ix). It does not do to presume that the narrator’s argument holds little validity, at his apparent unreliability. One must go deeper than that and read the author’s
However, we must also remember that he is a ‘literary’ embodiment of the main argument made by Dostoevsky against rational egoism – as Pevear states, not only does the author present to us an antihero, but also an “antibook” (in Dostoevsky 2006, p.ix). We must also be aware of the socio-political climate of the time, and how heavily Dostoevsky had been censored in his work. The Wayne Booth model of narrator unreliability states that this unreliability is a “function of irony” – a channel to communicate ideas behind the “speaker” (the narrator, who is the embodiment of the irony itself) (Olsen 2003, p.94). We can see the satirical nature of the novel, especially in the Underground Man’s encounter with the characters in Apropos, and the inherent humour through which Dostoevsky presents them to us. Pevear states that “laughter creates the distance that allows for recognition,” thereby distinguishing the author from the narrator (in Dostoevsky 2006, p.ix). It does not do to presume that the narrator’s argument holds little validity, at his apparent unreliability. One must go deeper than that and read the author’s