The Romantic Period: Music Analysis

Improved Essays
The Romantic period is in the 1820s to the 1900s, the music written in that period are artistic and literary. Some famous composers are Tchaikovsky, Chopin and Schumann. ‘Vltava’is a piece composed by Bedrich Smetana in the Romantic Period for symphony orchestra. This piece has 6 movements and it describes the flow of water that runs through Czechoslovakia and Prague from day to night. It contains a lot of emotions and it is one of the most famous nationalism work. Fig. 1: It shows all the instruments involved in the music.

During Romantic Period, music was mostly written for symphony orchestra, where there is an equal division of orchestral instruments and is no longer mainly string dominated. The invention and improvement of valves and keys made the brass and woodwind instruments more flexible. Conductors really relied on the brass and woodwind instruments to make the music more emotional and to create the effects needed for the music. Composers started to write more parts for percussion instruments to make the music more exciting. As you can see in fig.1, more woodwind, brass and percussion instruments, like piccolo, tuba, trumpet, horn, trombone etc. are used in ‘Vltava’, and a
…show more content…
2: It is from bar 213 for the French horn. Fig.3: It is from bar 395 for the tuba.

One the features in the Romantic period is that music uses a wide range of dynamics, from ppp (pianississimo, which means very very soft) to fff (fortississimo, which means very very loud). These dynamics weren’t used in the past periods because the instruments weren’t capable of playing too soft, or too loud. In ‘Vltava’, there are a wide range of dynamics seen, for example in fig.2, the composer requires the French horn players to play ppp possibile, which means to play as soft as possible. Also in fig. 3, the tuba players are required to play fff, which means to play very very loud.

Fig. 4: It is from bar 202 for the harp part.

Fig.5: It is from bar 18 for the flute

Related Documents

  • Improved Essays

    Mozart Concert Review

    • 1146 Words
    • 5 Pages

    The melody was mostly dominated/played by the strings along with the piano, being a homophony at times. The sounds the music gave was a sense of uncertainty and confusion to the audience. In the third and final movement of the concerto, the speed was sped up to allegro vivace assai, but the sound stayed at the same dynamic. In contrast to the second movement, the third movement was fast paced and was energetic til the end. The flutes would normally respond to the piano with repetition of each other melodies.…

    • 1146 Words
    • 5 Pages
    Improved Essays
  • Improved Essays

    17 by Albert Roussel. Albert Roussel was an outstanding composer and edified of his time, he was born in Tourcoing. His musical style was more of a formal design with a vigorous rhythmic drive. Albert is kenned for is most famous ballet, which is Le Festin De L’araignee. The ballet scenario depicts of the lives…

    • 982 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    Furthermore, the concerto’s dialogue between the solo flute and orchestra is a trademark of Classical era music. The dialogue is noticeable throughout the piece, creating intimacy and excitement. Also, the solo line is clear and the accompaniment does not overshadow it. Lastly, the flute’s faster and more rhythmically involved sections sound improvised and transcend time and space as the strings soar above it. Improvisation is arguably the most expressive form of music, because when musicians improvise they are “play[ing] from the soul” as CPE Bach said.…

    • 1069 Words
    • 5 Pages
    Improved Essays
  • Improved Essays

    Timpani Instrumentation

    • 1741 Words
    • 7 Pages

    In his overture Le Bourgeois Gentilhomme, the timpani are used for basic rhythmic expression that helps to create expressive tempo and distinct phrasing. The instrument is used mostly toward the end of the piece as the polyphonic textures prevalent throughout the song come to more of a singularity through the expression of monophonic melodic lines. Although the dynamic of the piece remains mostly constant throughout, the timpani are used to heighten sections in which the trumpets respond to the melodic motifs in the strings. This relative complexity in the instrumentation allows for greater expression and tonal character within that particular section. As the work draws to a close, timpani are used in accompaniment to the homophonic melody which helps to produce a clear and distinct ending.…

    • 1741 Words
    • 7 Pages
    Improved Essays
  • Improved Essays

    I like this artwork because its melody expresses strength and rhythmic energy. The song’s basic melody is a contrast between soft and loud. The rhythm has four movements: first Allegro con brio (rather quick with spirit) second Andante con moto (moderately slow with motion) third Scherzo Allegro (joking, rather quick) and forth Allegro (rather quick). (4) The orchestra consists of the string section, flutes, oboes, clarinets, bassoons, horns, trumpets and timpani, piccolo, trombones and contrabassoon. This song was performed for first time in the Theater a der Wien, in Vienna.…

    • 786 Words
    • 4 Pages
    Improved Essays
  • Superior Essays

    It starts very lyrically at the end of bar 52 with a legato motif that starts with a minim that then does a descending quaver note movement in the oboes. This is conversationally repeated by flutes creating more antithetic dialogue. Subject 2: This is highly contrasting to the first subjects’ rapid and vigorous quality. The dialogue is carried on for four measures through to bar 56 until a variation (S2b) carries out a sforzando accent on beat three for woodwinds and beat four for strings, giving a rather energetic quality to the phrase. This motivic pattern imitates three times, each time increasing in dynamic to create a climactic crescending quality that is followed by scale passages in the woodwind and strings in bars 69 – 70.…

    • 1331 Words
    • 6 Pages
    Superior Essays
  • Improved Essays

    Prokofiev is credited with the invention of neoclassicism, also called the classical symphony. And he belongs to the Modern period and composed in a variety of styles: expressionist, neoclassical and neoromantic. The music seemed to flow joyfully, and we can feel that from the harmony which really fits into the modern era (innovations that lead to new ways of organizing and approaching harmonic, melodic, sonic, and rhythmic aspects of music). Secondly, he played Trio in E-Flat Major, Op.40 by Johannes Brahmas. For half of whole piece, the slow melody of major chords in low pitches make me feel like someone is telling a story, with dynamic created by different softness on pressing keyboard.…

    • 775 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    Second Movement Analysis

    • 1014 Words
    • 4 Pages

    17 shown in Fig.17. It then passed to clarinet for the second part of the theme at Bar 4 of Score Fig. 17. The rest of the Fig. 17 is a call and response between Clarinet and Flute.…

    • 1014 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    Contemporary Period Essay

    • 1147 Words
    • 5 Pages

    Contemporary period is a big-mixed era in the world. Many materials and ideas all can put into music or art works. In this research paper, I will talk about the background of the contemporary era, composers of the contemporary period, the modernism and many different styles of music in this period. This piece I want to talk about, is the horn sonata, wrote by Paul Hindemith. This piece is a good piece to describe the music of the contemporary period because we still perform this at present, and also the style in this piece or many pieces that Hindemith composed are worthy to understand.…

    • 1147 Words
    • 5 Pages
    Improved Essays
  • Decent Essays

    The Classical orchestra was divided into sections such asstrings, which includes the violins, cellos violas and double bases. The woodwinds onthe other hand comprises of the flutes, oboes, clarinets, and bassoons. The brasssection of trumpets, French horns, a percussion section and other instruments werealso added by the end of the 17th century. Beethoven through his strong personalitydeveloped a relationship that enabled him to be the creator and craftsman he hadbecome. People of all class supported him and were eager to gain his friendship.…

    • 776 Words
    • 4 Pages
    Decent Essays