Symbolically, the title refers to the fever pitch of the passions that were engendered in the two women when they visited Rome as nubile young girls. The surface serenity and static nature of the plot provide ironic contrast to the gradual revelation of the intense emotions that the two women experienced when they were in Rome before. Knitting in this short story plays a major role of symbolism. Mrs. Ansley sits quietly and knits as her and Mrs. Slade engages in conversation. When Mrs. Ansley is knitting it comes off as guilt to the charter Mrs. Slade, about seeing her widowed husband long ago, and the reader as Mrs. Slade interrogates her. “Although she tries to… (Salina 99). Mrs. Ansley seems to not care about present day things around her when Mrs. Slade speaks. Salina says, “.. She prefers to be knitting a comforting instrument…”
Symbolically, the title refers to the fever pitch of the passions that were engendered in the two women when they visited Rome as nubile young girls. The surface serenity and static nature of the plot provide ironic contrast to the gradual revelation of the intense emotions that the two women experienced when they were in Rome before. Knitting in this short story plays a major role of symbolism. Mrs. Ansley sits quietly and knits as her and Mrs. Slade engages in conversation. When Mrs. Ansley is knitting it comes off as guilt to the charter Mrs. Slade, about seeing her widowed husband long ago, and the reader as Mrs. Slade interrogates her. “Although she tries to… (Salina 99). Mrs. Ansley seems to not care about present day things around her when Mrs. Slade speaks. Salina says, “.. She prefers to be knitting a comforting instrument…”