Often the most important themes in literature are developed in scenes in which a death or deaths take place. In the play Othello by William Shakespeare, the death of the character Desdemona serves as the climatic breaking point where pervasive racism and sexism can no longer exist without resulting in detrimental harm to the involved parties. It is Othello’s prideful hamartia that, combined with sexism, is the catalyst that ultimately destroys both his and Desdemona’s life. In Othello, the cast of characters is subjected to the mounting pressures of sexism and racism without even realizing the detrimental effects it has on their lives.…
In Othello, we have an overflow of male, dominant characters and a deprivation of female ones; so let’s notice and focus on the three women of the play: Desdemona (upper class), Emilia (middle class), and Bianca (lower class). Because she is the daughter of a man with high power, a senator, Desdemona enjoys speaking freely and openly like she does in Act I. In Act I, Desdemona puts up a front with her dad. She acts like the complete opposite of how a woman was expected to in the Venetian times. She challenges this male dominated society.…
Early on in the tragedy the reader is aware that Othello it looked down on society because he is a black man. In the time periods when Shakespeare wrote the play, racism was a big factor in society that could make or break someone. In the world of Othello race also plays a main role, Othello is a character with a high ranking in the army, but even with his respected job when he marries…
Upon hearing the words “racism” and “evilness”, the first instinct of most people is never to connect them. That is because even though racism is an immoral act; it is not directly associated with evilness. However, in Shakespeare’s’ Othello, the motif of racism is linked to the motif of evilness/hell.…
Race is very important in Othello. The color of his skin is the reason that most of the events happen that leads to his downfall as the tragic hero. It is why he is doubted by most of the characters in the play. Othello isn’t give the confidence he needs because he is portrayed as some “devil” just for having darker skin. Desdemona’s father doesn’t even trust him because of his skin color.…
Women are always mentioned as if they are the infiorior sex, even when Cassio calls Desdemona "divine Desdemona" he is only mentioning her physical appearance, her face and body. she is only something to look at and not to be looked at as an intellectual, instead of her personality and intelligence being a factor in her divines its only the physical they look at. another quote used to empower women in this play dosent acually do that, they say that Desdemona is the "captains captian" this quote said by Cassion is said in a sarcastic and humorous as of they a joking about the power she has over Othello. the quote suggests her control over Othello is physical and is a sexual attribute that controls Othello, once again saying that physicality…
Over the course of history, in most societies, men have had a more dominant role. Men normally ran the business side of the family and women looked after children and helped the husband when asked. This is the same in William Shakespeare’s Othello, set in Venice and Cyprus in the 16th century. Othello has the gender roles of an Elizabethan society where men were the dominant figure over women. Women were passed from father to husband and served the man who was in charge of them their whole life.…
During this time it was odd to see two people of different races together. Throughout the play Shakespeare did a good job in bringing that sense of institutional racism alive, by having Othello constantly facing problems from the characters because of his race. In this story the main reason for Othello terrible fate is because of the fact that he was black. Othello was a powerful figure, he played a solider and even though he had many accomplishments people still made it hard for him because of his race.…
Amandla Stenberg, a young actress and social justice activist, stated in a recently uploaded YouTube video, “What if America loved Black people as much as they loved Black culture?” , she was referencing a deep rooted issue that lately has been a key concern within racism in America. Cultural appropriation is the adoption or “borrowing” elements of one culture by a member of another culture. Cultural appropriation is a form of internal racism that may or may not be in an intentionally negative light. The line between appropriation and appreciation is very thin, though it is clear when said line has been crossed.…
1 Nov. 2016. The author, Bloom, firmly establishes the multiple occasions that racism is a major element in the play Othello. He describes the intended reason the character, "Othello", is a colored man, rather than similar color to the other characters. He clearly states his opinion on his belief that Shakespeare is perhaps a racist man.…
There are many instances in the play Othello where gender roles become significant. During Shakespeare’s time, men hold the power and women are perceived as weak and powerless. Also, women are expected to be submissive to their man by doing whatever he asks of her and this is very apparent in the play Othello. The role of women in the play, determines the plot and the fate of some of the character’s involved. The way Shakespeare creates these roles in the play, shows his culture’s beliefs of gender and equality during this time period.…
“The meaning of Othello’s murdering Desdemona depends on their marriage and their marriage’s meaning is invested in Othello’s blackness” (Little 306). The racism drove him crazy and Iago didn’t make it better. When Iago tells Othello that Desdemona was cheating on him, he thought that his blackness and Moorish characteristics changed her and made her do it because Iago and other characters like Brabantio said it would. When Othello killed Desdemona, his literal blackness became metaphorical (Little 322).…
Racial discrimination has been prevalent since the dawn of mankind, as those subjected to prejudice merely due to complexity have been portrayed as ‘strange’ and ‘different’. This alienation drives all male protagonists to become outsiders as they initially ‘do not belong to a particular group or organisation’, a disposition of an outsider. In Othello, Shakespeare portrays race as a cultural intrusion as the blend of complexion in the marriage creates tension and uncertainty for the audience. Whereas in Wuthering Heights; Brontë presents Heathcliff as a reformed figure to portray the effects of manipulation when subjected to social prejudice which results Heathcliff to become increasingly insecure. Othello’s intended ethnicity is in some dispute as the definitive article of the ‘moor’ can be applied to the North African descendants who inhabited medieval Spain or the people of ‘barbary’ who still remain in North Africa.…
Throughout history, women have been oppressed and silenced. The oppression of women began at the start of civilization when a need for a hierarchy arose. Since then, men have almost always landed at the top of that hierarchy. This oppression of women exists all around the world today with societal gender expectations and Middle Eastern women not being able to show any skin in public, among many other things. The oppression women face has become more complex and underhanded as society progresses.…
For generations, the Elizabethan era has been a prominent time period where Queen Elizabeth I heired. This era brought opportunities for great play writers to express their work as it was the era of the very first theatres in England. William Shakespeare joined the London theatre scene making history while creating 37 remarkable plays and 154 sonnets gaining the title of the great bard, since he is a great poet. During the year of 1603, Shakespeare wrote the classic drama, Othello. Othello captured the themes of Love and Jealousy.…