As to what to expect to hear in this piece, the beginning of the piece is very energetic and grand like a fanfare. It is fast-paced with the melodies performed by the brass and the foundation set the flutes and clarinets - a continuous rope of staccatos that gives off a lively and brisk effect. The Center Section is the soar of the hawk’s takeoff during the first. The melodies are a lot more loose in the center with rolls of fast sixteenth note rhythms that symbolizes the silent but fast flight. Lastly, the final section which begins at measure 105 builds slowly as first; the gorgeous melody played by the clarinets which gives off a melodramatic feeling as if it's the end of great experience. Finally, the piece transitions to the fast, lively beats of the beginning performed by the brass section. All of these very different parts, represents the hawk’s flight and it gives off a satisfying and rewarding experience for the
As to what to expect to hear in this piece, the beginning of the piece is very energetic and grand like a fanfare. It is fast-paced with the melodies performed by the brass and the foundation set the flutes and clarinets - a continuous rope of staccatos that gives off a lively and brisk effect. The Center Section is the soar of the hawk’s takeoff during the first. The melodies are a lot more loose in the center with rolls of fast sixteenth note rhythms that symbolizes the silent but fast flight. Lastly, the final section which begins at measure 105 builds slowly as first; the gorgeous melody played by the clarinets which gives off a melodramatic feeling as if it's the end of great experience. Finally, the piece transitions to the fast, lively beats of the beginning performed by the brass section. All of these very different parts, represents the hawk’s flight and it gives off a satisfying and rewarding experience for the