Although these may sound like surface-level ideas, they are from it. In order to remember the reason why Person X is angry at Person Y, the viewer needs to understand the progression of their relationship as to why Situation A had such an effect on their friendship in the first place. The main argument Johnson uses is that television shows have progressed from what they were three or more decades ago into something that causes a viewer to actually think and track the complexity of a show. Basically, television shows have reached a point where it is a necessity to pay attention in order to follow along to the next episode, causing it to make a person think and develop cognitive
Although these may sound like surface-level ideas, they are from it. In order to remember the reason why Person X is angry at Person Y, the viewer needs to understand the progression of their relationship as to why Situation A had such an effect on their friendship in the first place. The main argument Johnson uses is that television shows have progressed from what they were three or more decades ago into something that causes a viewer to actually think and track the complexity of a show. Basically, television shows have reached a point where it is a necessity to pay attention in order to follow along to the next episode, causing it to make a person think and develop cognitive