The illustrator strategically uses thick white lines and dark black shading to contrast between the background and the foreground. In the foreground, dark and jagged shadow casting mountains stand sharp and erect, and almost completely obstruct the view of the destination that the main character is aiming to reach, Count Dracula's castle. These sharp jagged lines of the mountain concealing the castle serve the purpose of providing insight of the dark or 'rocky road' that lies ahead on the main character's journey. The thick white lines transition from creating the winding pattern leading to the top of the mountain and go on to create division between the thick and dark rolling clouds that make up the eerie night sky. These elements of rhetoric all work in collaboration in order to contribute to the theme of darkness and terror for which the author and illustrator both aim as it is derived from Bram Stoker's original
The illustrator strategically uses thick white lines and dark black shading to contrast between the background and the foreground. In the foreground, dark and jagged shadow casting mountains stand sharp and erect, and almost completely obstruct the view of the destination that the main character is aiming to reach, Count Dracula's castle. These sharp jagged lines of the mountain concealing the castle serve the purpose of providing insight of the dark or 'rocky road' that lies ahead on the main character's journey. The thick white lines transition from creating the winding pattern leading to the top of the mountain and go on to create division between the thick and dark rolling clouds that make up the eerie night sky. These elements of rhetoric all work in collaboration in order to contribute to the theme of darkness and terror for which the author and illustrator both aim as it is derived from Bram Stoker's original